I'm particularly intrigued by Demicat's delightful mixture of future bass, trap and DnB on "Better Now." He does a bang up job playing with the powerful production Fox Stevenson had already laid out, and much like the man himself, he flips flawlessly through the seemingly opposing subgenres. At times it feels as though the track has picked up so much steam, through the breakneck DnB, that "Better Now" may just burst into flames and rocket out of the earth's atmosphere. That playfulness in the percussion is met with sublime strings, which maintain a mood that allows for the future bass style drop. It's magical in its harp flourishes, water droplets, and trap style vocal chops. How a track can be so twisted, yet so euphoric and bright is beyond me, and that's exactly why I love what Demicat has done here. Check out the other two remixes here, and if you happen to be in Seoul give this event a look.
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