Mondays are most often the driest day of the week when it comes to 'discovering' new music. That said, today was totally different as I kept coming across wicked releases everywhere I turned. So, with that in mind, I've compiled six of said releases here. Unfortunately, they're spread across streaming services, but rest assured, each release can be enjoyed in its entirety below.
Discovered via Soundcloud's The Upload algorithm,
Cortese's Emma Cannon-led "
Girls Like You" is ridiculously cool and ever so catchy with that spellbinding swing. Another one from The Upload, "
1984" doesn't have anything to do with Orwell, but rather the Martha And The Muffins' single from that same year, "
Black Stations/White Stations." Seamless sampling and a more hefty backing make it a wicked dancefloor weapon. Finally, the
8Kays'
Eleatics EP rounds out the Soundcloud section of this Monday mix, and what an excellent EP it is. I keep going back and forth on whether I like the originals or the remixes better, but you really can't go wrong. Both versions of "
Respect Me" are incredible in their mix of restraint and rippling techno power, just as both mixes of "
Young Souls" manage to infect you with their otherworldly grooves and alien effects.
's debut on the mighty
Monstercat further cements his status as an arsonist as "
Unlucky" is a breathtaking blaze. Like the
8Kays originals above, the most incredible thing about this track is the contrasting clean, minimal sections against the mayhem of percussion and bass in the drops. And then there's the infernal horn section. If you're not already, be sure to keep it locked on
Effin.
More of the aforementioned minimal stuff thrives here with
Dunk's deep and dark DnB EP,
Signal Loss. Moody, cold and callous futurescapes give this release the feeling of a neo-noir game of interstellar espionage. In fact, the more I listen to it, I feel like its high-stakes tension would work well against the scenes of Gene Hackman tailing his prey in
The French Connection.
Finally, we round out this collection with two killer remixes from
Champa B and
Tim Reaper. Both highly-charged rollercoaster rides, "
Serenity" is somehow more fire than "
Meridian," with its relentless percussive charges and bass booms, while the latter leans more cool and contemplative, especially through the pristine piano.
