Enlightened Listening for July 30

It's the Friday of a long weekend, so without further ado, I present this week's Enlightened Listening. Sorted from light, light-hearted and groovy to heavy, deep and banging, the 16 releases feature countless trusted names, several pre-album singles, and yes, a trio of awesome Anjuna offerings. Finally, I will note that, while not in the playlist, the two tracks I wrote about earlier this week, "Don't Tread On Else Matters" and "Only One," are just as highly recommended as the rest of these fine productions. Stream now the new music playlist below with each individual release linked at the bottom.

Pusher - Back In Time

Wave Racer - Look Up To Yourself

Parcels - Comingback (Single Version)

il:lo - Cesta

Bob Moses & Elderbrook - Inner Light

Powel - Chapek 9

Amtrac - MIDI Ceremony

Franky Wah ft. AETHO - Should Have Seen It Coming (Yotto Remix)

CamelPhat & Yousef - April (12" Version)

Jerro - Presence

Kiimi - Ritual

CHVRCHES - Good Girls (Prospa Remix)

Baauer & RL Grime - Fallaway

Cerdin - Evocation / Pretend

Mozey & Rusko - Tings

Hudson Lee - Reflex Angle

Enlightened Listening for April 26

Our last April edition of Enlightened Listening includes two notch albums from Nick Murphy & Satin Jackets, the potent pairing of Cotonete & Dimitri From Paris, a killer remixes of "Killer Whale" & "REDLIGHT," as well as awesome originals from EDX, Mohican Sun & BIJOU. Enjoy below!

Nick Murphy - Run Fast Sleep Naked

Satin Jackets - Solar Nights

Cotonete & Di Melo - A.E.I.O.U. (Dimitri From Paris Remix)

EDX & Amba Shepherd - Off The Grid

Mixhell & Joe Goddard - Killer Whale (Remixes)

CamelPhat & Cristoph ft. Jem Cooke - Breathe (Eric Prydz Remix)

Mohican Sun - Darkest Hour

BIJOU - Your Love

NGHTMRE & A$AP Ferg - REDLIGHT (Flosstradamus Remix)

Monki B2B Purple Disco Machine @ Café Mambo

The long weekend may be in the rear view mirror, but that doesn't mean we can't still reap the rewards of its epic nature. While many of us took to cottages or festivals, BBC Radio One took their setup to Ibiza's Café Mambo for a slew of incredible sets, often pairing one of their presenters with guest DJs. Annie Mac worked overtime playing a solo set and going B2B with both Mark Ronson and Tiga. Pete Tong took to the decks with Patrick Topping and Danny Howard delivered the goods alongside Camelphat and AU/RA. However my favourite pairing came from Monki and Purple Disco Machine. These sets have been recorded and can be found on Youtube and on the BBC Radio One site.

As you might expect with such a pairing, Monki and Purple Disco Machine got groovy right from the jump, allowing the warm island energy to stir the crowd like waves on the shore. There's no shortage of organic instrumentation in their selections helping us to horns, strings and all kinds of percussion. Opening the set with his enormous "At Night" remix before letting "Body Funk" take over and ending with "Dished," Purple Disco Machine's DNA is all over this 30 minute mix. A tip of the cap also has to go to the genius incorporation of the "Groove Is In The Heart" sample into the finale. The whole thing is just an easy moving grooving set, perfect for Ibiza or really anywhere in the summer.

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60th Grammy Awards (Nominees)

The Grammys will celebrate their 60th anniversary this coming January in New York, and today they've released their list of nominees (full list here). Once again I debated whether a post was warranted, and since you're reading this I decided it in fact was (see my debate from last year). However this year I've decided to hold off on the predictions for now, and really just dig into the nominations themselves. Of course I'm not going to tackle all of the categories, just those I see pertinent to this blog.

Best Dance Recording

• Bambro Koyo Ganda - Bonobo ft. Innov Gnawa
• Cola - Camelphat & Elderbrook
• Andromeda - Gorillaz ft. DRAM
• Tonite - LCD Soundsystem
• Line Of Sight - Odesza ft. WYNNE & Mansionair

Firstly, I find it interesting that both Gorillaz and LCD Soundsytem's albums were nominated in the Alternative category, yet their tracks are classified as Dance. Let us however note that their is no Alternative Recording category. Also it might be pertinent that in 2003 this category fell under the Pop field before the creation of this Dance field. I feel this only further complicates Alternative productions being in a previously Pop field, but perhaps the Grammys feel that Dance is Alternative.

Regardless, both artists had big years, particularly in that they made massively anticipated returns, and therefore ought to warrant some kind of acknowledgement. I would however argue that neither of these are their best efforts. For my ears, "Submission" and "Other Voices" are the standout tracks from Humanz and American Dream, respectively.

Another artist who had a big year was Bonobo. His album Migration (also nominated below) garnered widespread support, and while I am more than fine with him receiving a nod here, I'd again suggest that this wasn't even the best track on the album. I'd submit "No Reason" as the zenith, but picking just one cut from Migration serves as a tough task, and I cannot be too critical here.

I'm glad the Grammys have nominated a house track, and I quite enjoy "Cola." I am however curious where more widespread and progressive (not in sub-genre, but in scope) house tunes are, see Tchami, Kolsch or Bicep. Regardless, Camelphat and Elderbrook have built an incredible track worthy of this honour.

Speaking of progressive, there aren't many as cutting edge as Odesza. While most would point to Flume and Rustie as originators of future bass, you'd be remiss not to include Odesza in that conversation. I would however argue that this particular brand of future bass, is quickly becoming stale and purely pop music. But this is the Grammys and it would be silly to expect them to be ahead of the curve.

Finally I wonder whether Dance is a cumbersome category name, isn't all music meant to make you move, and isn't moving to music dancing?

Best Dance/Electronic Album

• Migration - Bonobo
• 3-D The Catalogue - Kraftwerk
• Mura Masa - Mura Masa
• A Moment Apart - Odesza
• What Now - Sylvan Esso

You'll notice that both Bonobo and Odesza are holdovers from the Recording category, and as above both received widespread critical acclaim. While I was tough on "Line Of Sight" I feel the rest of Odesza's album makes up for the mainstream, pop feels of that particular track. Both Migration and A Moment Apart are strong albums, with incredible arcs, inciting waves of feels and emotions. Worthy nominees in my mind, especially in A Moment Apart, as I get some distinct Pink Floyd vibes.

While there's no questioning Kraftwerk's greatness, or legendary status, I find their album somewhat troublesome to include here. One it's live, two it's almost entirely made of their previous productions. This seems unfair, but it is what it is. Certainly not the first time the Grammys have thrown a wrench into this category. Regardless, it's an incredible piece of production, especially in the way it's mixed.

My love for Mura Masa and his album will not be new to readers of this blog, so it's no surprise I agree with its inclusion. It's the perfect mixture of forward thinking club music and pop production abilities. The vocal features are fantastic and the whole thing just grooves through and through. On the opposite end of the scale is Sylvan Esso, who I've not heard of until today. Not surprising though, cause as I say, this seems to happen every year in this category. I will say that after listening to What Now I can kind of understand why it would be nominated: it's an eclectic mix of all kinds of electronic. It is well done, and will certainly have me keeping my eyes/ears on them in the future.

Best Remixed Recording

• Loleatta Holloway - Can't Let You Go (Louie Vega Roots Mix)
• Bobby Rush - Funk O' De Funk (SMLE Remix)
• Kehlani - Undercover (Adventure Club Remix)
• The xx - A Violent Noise (Four Tet Remix)
• Depeche Mode - You Move (Latroit Remix)

The first time in three years that both RAC and Kaskade are not in this category, so it's good to see some fresh faces. It's also a great mix, there's old school electronic dance via Louie Vega and SMLE, a big time banger from Adventure Club, an epic piece of electronica courtesy Four Tet, and some dirty house from Latroit. I really like this category, although I do wonder about SMLE's inclusion, as I cannot find any instance (spotify, soundcloud, youtube etc) that shows it as having garnered much attention. I know it's not a popularity contest (and this has happened before, see Paul McCartney in last year's nominees), but you'd think with the number of worthy remixes out there, they'd be able to find one with both a wide reach and strong musical depth. While categories cannot be perfect, and I don't claim this one to be, I feel this is the best we could expect, and perhaps the best since 2013.

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That's it for me for now, I'll be back with a predictions post, with my usual write in nominees later.