Showing posts with label Machinedrum. Show all posts
Showing posts with label Machinedrum. Show all posts

Thursday, July 29, 2021

Machinedrum - Only One (ft. Angelica Bess)

Whether it's rain or shine where you are, it's sure to be a gloriously good morning thanks to sublime new Machinedrum. "Only One," the first single from forthcoming Psyconia, "a six-song exploration of the unbounded ideas found while experiencing creative flow," is so inextricably linked to that final word: flow. Not only does Machinedrum's brilliant breakbeat cascade captivatingly atop the groovy jazz bed, but the same can be said for Angelica Bess' breathless vocals that tumble, ebb and flow fabulously. Much like his remix of GoGo Penguin, Machinedrum's musical abilities are on full display here as he divines a delightfully addictive electro-organic combo. A fetching fever-dream, "Only You" is at times electrifying and exhilarating, and others, simple, stripped-down sublime (see the sections starting at 1:56 and 2:54). Let this polished, playful and all together potent pairing, "Only You," speak to your soul below, and get it now with a pre-order of Psyconia, which drops September 10th on Ninja Tune, here.

FOLLOW MACHINEDRUM: FACEBOOK SOUNDCLOUD TWITTER

Monday, March 01, 2021

GoGo Penguin - Atomised (Machinedrum Remix)

Among the coolest creations I've heard all year, Machinedrum has got my March off to an excellent start with his remix of GoGo Penguin's "Atomised." Now, I'm not sure which 'discovery' I'm more excited about, this remix or the Manchester-based trio. The remix is all kinds of awesome with its radiant energy, beautiful breaks and impressive piano, but it's not as though these are new to "Atomised." In fact, Machinedrum more or less leverages the quality of the original in his enthralling remix.

A listen back to the original reveals the awe-inspiring genius of GoGo Penguin's performers: pianist Chris Illingworth, bassist Nick Blacka, and drummer Rob Turner. Both the eponymous album version and the Live From Studio 2 version are stunning displays of musicianship, playing together impeccably well while showcasing the life inherent in their productions. And it is that last point that makes the Machinedrum remix such an exhilarating and admirable offering. The life of "Atomised" remains intact in this remix; in fact, Machinedrum gives it even more life as though upgrading your character's gear in a sci-fi video game. Even further, you could see it as an expansion pack, taking the track to new, more technologically advanced worlds with more flashy and electrifying animations. And this lush Machinedrum level is one I'll certainly be replaying over and over again.

Taking advantage of the already scintillating original, Machinedrum's remix of "Atomised" is sure to inject some much-needed energy on this Monday. Get it via Soundcloud below or elsewhere here.

FOLLOW GOGO PENGUIN: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW MACHINEDRUM: FACEBOOK SOUNDCLOUD TWITTER

Monday, December 28, 2020

Top 100 Tracks Of 2020: 100-76

Starting today through New Year's Eve (Thursday), I'll be revealing my list of the "Top 100 Tracks Of 2020." The following is my disclaimer, as I feel it important to preface this kind of list with some insight into its creation and the methodology behind it. While I spent a lot of time seriously pouring through this year of music, this is not really a serious endeavour. No one was polled. Sales and streams are irrelevant. This is merely my fun way of sharing the tracks and artists that made my year better, in hopes they do the same for you. The rankings are not scientific or even fair, rather they are simply a reflection of how strongly I felt these tracks and how much praise I felt they deserved. 

You'll notice the thread of disco/funk continues to run through these year-end lists, while DnB and breaks appear more than ever before. Another trend continues as we see a further diminishing amount of club-type tracks included, primarily as circumstances changed consumption and led to the vast majority of my musical enjoyment coming on my many escapist bike rides. That said, the power of some of these tracks is unavoidable as they will assuredly kill when clubs come back.

Finally, I will once again say that this is by no means an exhaustive list; there are without a doubt exceptional tunes that somehow failed to make the cut. However, onward and, in this case, downward, from tracks 100 to 76 we go. Find the Soundcloud playlist here and Spotify here.

#100: Weiss & Harry Romero - Where Do We Go?
An early summer earworm. Makes masterful use of the sample from Alan Parsons Project "Games People Play." Not overly inventive or banging, but rather slick, smooth and altogether enjoyable. The first of many house tracks in this list that captured my heart this year, even if only for a moment.
While it's been half a decade since I spent day after day with HAIM and Days Are Gone, the sisters and their work with Ariel Rechtshaid and Rostam Batmanglij remain close to my heart. A toss-up as both this and "Now I'm In It" are perfect for 2020, I landed on this garage joint thanks to its catchy, crisp and crackling production and overall atmosphere.

Fabulous French filter disco house. Almost too slick. Undeniably good and groovy. The kind of track that has you tapping your toes uncontrollably and later leaves you humming its magnificent melody.

An acid-induced fever dream. Propelled by Nair's potent percussion and scintillating synths. Like so many of the tracks in this year's list, "3XL" is all about the journey. There's no skipping ahead to a dope drop or sick section, rather one has to ride out this rolling wave of resplendence.

Perhaps the most ominous and irksome track in this list. Spine-tingling strings, all kinds of ingenious percussive hits and of course the equally screwface and shiver-inducing sub-bass. Truly diabolic dubstep.

Among the year's most fun and funky productions. I know nothing about Soda State, nor had I ever heard them before this, however their inclusion in Magic Tape 98 made for an incredible introduction. An awesome mix of pop sensibilities alongside retro dance resplendence.

A track so infectious that I can turn a blind eye to its misleading moniker. The trumpet (not sax) top-line is awesome, as are its babbling vocal bits, but it is the way those two elements play with the rollicking percussion that makes this track one of the year's best house offerings. Like many on this list, I expect this would have ranked much higher were clubbing possible in 2020.

Friday, October 09, 2020

Enlightened Listening for October 9

Time continues to somehow both fly and drag along, and here we are at yet another Friday. Despite being a mere nine releases, this edition of Enlightened Listening stretches over 4.5 hours and features 50+ tracks. On the album side of things, there's an insanely stacked lineup of Foals remixes, Machinedrum's highly anticipated followup to Human Energy, Mat Zo's triumphant return to Anjunabeats, and the killer collaboration of Sub Focus and Wilkinson. On the shorter side, ASHE delivers a divine EP to mau5trap, just as Amtrac, Lindstrøm & Prins Thomas, Planningtorock and Skream supply sensational remixes of their own. Dig into it all below and have a great weekend!









Friday, August 07, 2020

Friday, January 31, 2020

Enlightened Listening for January 31

This first month of 2020 closes on a high note with a jam-packed edition of Enlightened Listening. Spanning over 75 tracks and 6 hours, there's bunches of bangers, albums aplenty and more remixes than you can shake a stick at. Unfortunately I'm pressed for time so I'll have to keep the descriptions quick, but here we go!

A couple cohesive and thoughtful albums open as ATTLAS and Spencer Brown show off their incredible aptitude for immersive and beautiful productions. Deep house turns techy as the next four releases (two singles and two EPs) reach epic, expansive poise and power. In a week in which Dawn Chorus got a JUNO nomination, Jacques Greene ups the ante with 12 incredible remixes from the likes of Lunice, Big Miz, CFCF and others. Things turn euphoric as the following four tracks (a pair of each singles and remixes) soar and shine, highlighted by the return of Duck Sauce. With the energy now at its peak courtesy the acid of Elliot Adamson, Machinedrum and Holly's EP pairs perfectly with ingenious and propulsive albums from Squarepusher and Text Chunk & Hood Joplin. Finally as a cherry on top of this musical melange, we get 10 new tracks from Night Bass which are sure to have dance-floors shaking well into the year. Enjoy everything via playlist below and find individual releases linked at the bottom.

ATTLAS - Lavender God

Spencer Brown - Stream Of Consciousness

LUNR - Cold Whispers

Guy J - Day Of Light / Mind Of

Kane - Kane

Prospa - The One

Jacques Greene - Dawn Chorus (Deluxe)

Will Clarke - U Take Me Higher

Georgia - Never Let You Go (Skream Remix)

Duck Sauce - Smiley Face

Franky Wah ft. Jessie Ware - Time After Time (Elliot Adamson Remix)

Machinedrum & Holly - Berry Patch

Squarepusher - Be Up A Hello

Text Chunk & Hood Joplin - Bank Account

Various Artists - This Is Night Bass Vol. 9

Friday, December 28, 2018

Top 100 Tracks Of 2018: 100-76

Starting today through Monday, I'll be revealing my list of the "Top 100 Tracks Of 2018." The following is my disclaimer, as I feel it important to preface this kind of list with some insight into its creation and the methodology behind it. While I spent a lot of time seriously pouring through this year of music, this is not a really a serious endeavour. No one was polled. Sales and streams are irrelevant. This is merely my fun way of sharing the tracks and artists that made my year better, in hopes they do the same for you. The rankings are not scientific or even fair, rather they are simply a reflection of how strongly I felt these tracks and how much praise I felt they deserved.

Unlike my previous lists (2017 and 2016 respectively), you'll see that I did my best to refrain from repeating artists, attempting to focus on one unique release. That said, the thread of disco/funk continues from last year, as once again it dominated my consumption. But once again you'll notice I touch on a variety of genres, while sticking to the brand of this blog, which is indeed a reflection of my personal preferences and ideals. While last year I noticed a relatively low amount of 'club' music, certainly in comparison to the amount of time I spent in clubs, that trend has seemingly reversed (on both counts). There's a lot of pop music but unlike last year, you won't find anything like London Grammar occupying the 8th spot. Everything is at least electronic adjacent, and like Bump In The Hump, I've in essence split EDM into electronic and dance, allowing for a slightly wider birth.

Finally, I will once again say that this is by no means an exhaustive list; there are without a doubt exceptional tunes that somehow failed to make the cut. However, onward and, in this case, downward, from tracks 100 to 76 we go. Find the Soundcloud playlist here and at the bottom of the page.

Wednesday, June 27, 2018

Bump In The Hump Sneak Peek: Robotaki - Science (Re-Examined)

Starting just over a month ago remixes of Robotaki's Science EP began trickling in with Machinedrum's spin on "Satisfied." Since then we were treated to the thrilling Allen French and Manu Dia takes on "Butterscotch" and "Limbo" respectively. Now the full Re-Examined remix EP is out with additional edits from Billboard, Madnap and Swardy (Ben Swardlick, one half of The M Machine). Stream them all below, download here, and tune into Bump In The Hump tonight to hear one of these in the mix.The summer continues as we look ahead to the Canada Day edition of Electric Island (RSVP/Tickets) with tracks from The Martinez Brothers, ANNA and Andy Cue. And as always there's no shortage of new music, ranging from disco and wave, to trap and DnB, as well as the usual hearty helping of house. Catch it all live from 7-9 PM EDT via Radio Humber and after the fact on Mixcloud here.

FOLLOW ROBOTAKI: FACEBOOK SOUNDCLOUD TWITTER

Wednesday, April 25, 2018

Bump In The Hump Sneak Peek: Weekend Warmup

Coachella is over and all the world's artists have been freed from the clutches of the Colorado Desert. Accordingly there's an onslaught of events happening in the 6ix this weekend, six of which I'll be promoting on tonight's episode of Bump In The Hump. See each event linked below, click through for more details and tickets, and note those artists marked with an asterisk, as they'll appear tonight.

THURSDAY April 26

Gramatik* - Re:Coil Tour w/ Balkan Bump & Mome at Danforth Music Hall

FRIDAY April 27

NoNeon w/ Hunter Siegel, Cazztek* & DLMT* at Velvet Underground

SATURDAY April 28

Tom Misch* - Geography Tour w/ Hablot Brown at Phoenix Concert Theatre

Machine Girl w/ Eytan Tobin*, XenoYoga & Babygirl at Nocturne

Chrome Sparks (Live) x Machinedrum* (Live) w/ Ela Minus at Velvet Underground

Sébastien Léger* w/ Nature Of Music & Nadia at CODA

Of course we love to share what's going on each weekend, but Bump In The Hump's main focus remains on presenting the latest and greatest from across the country. As always there's a hearty helping of house (disco, deep, bass, and otherwise), techno, trap, club, funk, and more. And once again we end with an interview, as this week we welcome CastNowski to the My Mixtape turntables. Catch all the action live from 7-9 PM EDT via Radio Humber or after the fact via Mixcloud here.

Monday, May 08, 2017

Fan Fiction - when angels s1ng

My cat is running around like a lunatic today, but that may be a result of my repeated play of Fan Fiction's latest release. Dropped just after midnight last night as a part of NITE CORP.'s 13 track LIGHT release, Fan Fiction took on Donae'o and his track with Terri Walker "When Angels Sing."

When you're talking NXC there's very few, if any, that rival Fan Fiction, and this is just the latest example. Obviously this is a tremendous original track (my favourite from Donae'o), but the way it gets transformed here is genius. It's fast and fluttery as with any NXC track, but it's not overwrought. Fan Fiction does a brilliant job maintaining the delicate overture of the original. It remains refined while boosting the energy, like a shot of adrenaline to the heart. It may be my favourite on LIGHT, but there's a few more fire flips, including Machinedrum's "Angel Speak" and Hellberg's "The Girl," all of which are available absolutely free. Add some NITE CORP. to your day and feel a fire lit under you feet. FOLLOW FAN FICTION: FACEBOOK SOUNDCLOUD TWITTER

Thursday, December 22, 2016

Top 100 Tracks of 2016: 66 - 34

Continuation of the list started yesterday: From 100 - 67, which also includes my disclaimer/preamble. Soundcloud playlist can be found at the bottom.

#66: Meroshi - Summer Friends
It's hard to believe we made it this far into the list without some drum and bass, but here we are. Meroshi's genius is on full display here. His sound design impeccable, crafting instruments that feel so real, imbuing them with life and passion. The subtle effects and progression he works throughout, give the track an incredible energy. It's horny, groovy and those vocal samples get me every time.

#65: Stephen Walking - It Came From Planet Earth
2015 was the year I discovered and fell in love with Stephen Walking. This year marked a change in his productions, leaving behind the bass of "One Man Moon Band" and "The Difference Between Us And The Aliens," in which he explored different BPMs and styles. However, sticking to his interstellar, future disco/funk disposition, "It Came From Planet Earth" exudes awesomeness.

#64: Cashmere Cat - Trust Nobody (ft. Selena Gomez & Tory Lanez)
The rise of Cashmere Cat over the past two years is a testament to his nearly unrivaled ability, not only to produce around vocalists, but to craft truly divine sounds. While his recent work skews further from the kind of beautiful bangers of Mirror Maru or Wedding Bells, "Trust Nobody" shows off his smooth touch and delightful decorum. This further establishes Cashmere Cat as an paralleled producer.

#63: Jadu Heart - Late Night
Fittingly, I first heard this on a late night coming home from the club. That first flourish hit me like a magic spell, utterly alluring and beautifully breathtaking. And while it worked so magically in that hazy atmosphere, I now use it whenever I need a pick-me-up. It holds a special power in its easy flowing sound, so organic and raw as though it were recorded in one take. Heart rending harmonies through truly insightful and emotionally evocative lyrics, it's always on my mind.

#62: Jameston Thieves - Hypnotic
This certainly doesn't sound like a banger for the first 45 seconds, that is until it dives into a deep house beat. Torquing up the tension Jameston Thieves quickly turn "Hypnotic" in to an all out thrasher, banging the bass with massive strobing throbs, that contrasts so brilliantly with the brighter leads. The sound design of the bass in the drop may be the key to the track's quality, but it truly excels and finds itself in this list because of the drums fills leading into the drop as well as the supporting production.

#61: Justin Jay & Friends - Karma (JJ's Late Nite Dub)
Hearing Justin Jay play this at The Hoxton was one of the highlights of the year; I feel too many DJs are scared to play something out of the ordinary, something that doesn't bang, something not designed for the club. This is the kind of uplifting, yet downtempo, track that I could listen to any time of the day. It's built upon a beautiful premise ("You get what you give") and simple yet sublime instrumentation.

#60: Machinedrum - Angel Speak (ft. MeLo-X)
While I've called Machinedrum's Human Energy my album of the year (in my Grammys post), I decided to include only one track from it in this is (though many are deserving). The problem is the album stands as a cohesive collection, so separating tracks seemed wrong. The exception, and stand out track from it is this, "Angel Speak." For me it encompasses all that makes the album so magical. It it full of life, bringing humanity to the the synthesized sounds, begging listeners to move their feet. Like the album itself it also bounces around from different rhythms, instruments and grooves, truly coming alive.

#59: Torro Torro & Aylen - Designed 4 U
(As featured on EFYE) 2016 blessed us with one of the best collabs the bass community has ever seen. Torro Torro and Aylen are perfect for each other, as clearly evidenced in this track. Everything screams sheer brilliance as the synths never stop moving or progressing, and those vocal riffs, while leading the track they also support and play perfectly into the utterly insane and diverse drops. There really is nothing better than drop by drop progression, and these three take that to the next level, making the first, already awesome drop, pale in comparison to the callous second coming.

Tuesday, December 06, 2016

2017 Grammy Nominations

Every year, when The Grammy nominations come out, I debate whether a post about them is worth my time, or whether I'll just be promoting the garbage pop that does not need, nor deserve, any more promotion. I eventually come to the conclusion that there are enough deserving artists nominated to warrant a post. So here I go, I'll list the nominees from each category relevant to this blog, give my two cents, then write in my own nomination. I'll also place my bets on who should win from those nominations, and who I think will actually win, but I'm almost always wrong, cause you know, I'm obviously not on the same level as those in charge of the Grammys. See last year's predictions post.

Song Of The Year

  • Beyonce - Formation
  • Adele - Hello
  • Mike Posner - I Took A Pill In Ibiza
  • Justin Bieber - Love Yourself
  • Lukas Graham - 7 Years
Why is "I Took A Pill In Ibiza" on this list? Isn't it too old to be included? I definitely remember Benzi playing it in his Get Right Radio 2015 mix. Anyway, it'd be hard to argue with any of these tracks being nominated for this category. Must say I'm not sure I've ever heard "7 Years," but there's always at least one track per category that I'm clueless about.
Who Should Win: Formation
Who Will Win: Hello
My Write In Nomination: Flume - Never Be Like You

Best New Artist
  • Anderson .Paak
  • Chance The Rapper
  • Maren Morris
  • The Chainsmokers
  • Kelsea Ballerini
What constitutes a new artist? While I'm not sure who Morris or Ballerini are, the other three have been on my radar for at least at least two years. This is a group of heavy hitters, and perhaps one of the best/most deserving list of nominees, despite my disdain for anything Chainsmokers. But that's why this is the Grammys, and that's why I write a blog about underappreciated art, not pop refuse.
Who Should Win: Anderson .Paak
Who Will Win: The Chainsmokers
My Write In Nomination: Flume

Best Pop Duo/Group Performance
  • The Chainsmokers - Closer (ft. Halsey)
  • Lukas Graham - 7 Years
  • Rihanna - Work (ft. Drake)
  • Sia - Cheap Thrills (ft. Sean Paul)
  • Twenty One Pilots - Stressed Out
Best? This is really the best? Or most poppy... How about we call a spade a spade? I've never heard a track more widely hated than "Closer" and "Work," what's with all the mumbling? I can at least stomach, and understand its appeal. No question Sia had a massive year, and I like Sean Paul so I get that.
Who Should Win: Cheap Thrills
Who Will Win: Closer
My Write In Nomination: Flume - Never Be Like You

Best Dance Recording
Okay, we're really starting to get into the good stuff here. I've got huge love for Bob Moses, and their nomination is perhaps the best thing the Grammys did with this years nomination. Again, with the Chainsmokers though, yet another track that I just don't get; it's rather awful, but not as bad as "Closer." Here's where I'll also address the reasoning behind Flume being my write in for each of the previous categories. I feel Flume is perfectly suited for music award shows, specifically the Grammys. His productions are poppy and easily accessible, yet far from mindless drivel. His near clean sweep of the ARIA Music Awards were well deserved, as Skin is a true work of art. Rounding out the category I'm blown away by the last two nominees, for different reasons. I absolutely love "Rinse & Repeat," but had never heard Drinkee until today.
Who Should Win: Rinse & Repeat
Who Will Win: Never Be Like You
My Write In Nomination: Pusher - Clear (ft. Mothica)

Best Dance/Electronic Album

Why is this category dance/electronic while the above is only dance? The Grammys usually do a good job with the album category, and this year is no exception. That is to say there's usually one odd ball, and it certainly seems to be Louie Vega. There's no questioning Flume's inclusion here, nor the triumphant return of Jean-Michel Jarre and Underworld, but it seems like the Grammys are leaning a little bit too hard on prior accomplishments and name recognition. Apart from the inclusion of Bob Moses above, Tycho's appearance in this category is the Grammys greatest success.
Who Should Win: Tycho
Who Will Win: Flume
My Write In Nomination: Machinedrum - Human Energy

Best Remixed Recording
This category is almost always way out there. Sometimes it's full of popular mixes and other times it's like this, littered with mixes and artists I've never heard of. Once again we see the Grammys going for name recognition, with the obligatory inclusion of Kaskade and RAC. The Paul McCartney track is really weird, seems like voters just went "Oh that guy was from The Beatles, he can do not wrong," WRONG! The Psionics remix has 159 views on soundcloud, seriously. SERIOUSLY, what is up with this category? At least Bob Moses, Chemical Brothers and Joe Goddard got nods, but I'm basically at a loss for this one.
Who Should Win: Joe Goddard
Who Will Win: RAC

Producer Of The Year, Non-Classical
  • Benny Blanco
  • Greg Kurstin
  • Max Martin
  • Nineteen85
  • Ricky Reed
This is always a funny category for me, because it's always a bunch of names basically nobody knows, with the exception of Diplo, who for some reason was not nominated this year, despite being a perennial contender. So now, I'll give a little backstory for each unknown. Blanco's credits this year include "Love Yourself," "Cold Water" among various productions for Vance Joy, Selena Gomez and Passion Pit. Kurstin was responsible for many Adele, Sia, Ellie Goulding, and Tegan & Sara tracks, including "Hello" and "Cheap Thrills." Max Martin may even be more prolific than Kurstin, authoring tracks from Starboy, and Dangerous Woman, as well as the likes of "Can't Feel My Face," "Hands To Myself," "Love Me Like You Do," "Into You" and "Can't Stop The Feeling!" Nineteen85 is best known for his work with Drake, producing "One Dance," "Hotline Bling," and DJ Khaled's "For Free" with of course, Drake. Ricky Reed's credits include productions for Meghan Trainor, Robin Thicke and Twenty One Pilots.
Who Should Win: Max Martin
Who Will Win: Greg Kurstin
My Write In Nomination: Shaun Frank

Winners will be announced February 12th on CBS, but most of these categories will be announced earlier in the day with little to no fanfare, because as is likely obvious by now, The Grammys still have disdain for electronic music and clearly do not consider it that highly. But the question then is, do electronic music fans even care about the Grammys? And therefore does it matter what they do?

Saturday, October 15, 2016

The Magic of Machinedrum's Human Energy Live

Last night Travis Stewart, aka Machinedrum took to the stage at Velvet Underground for a special live performance of his album, Human Energy. I'll be honest, up until a month ago I wasn't even aware of Machinedrum, but when I stumbled across his album I was immediately taken. The bright computer driven sounds, fantastical flourishes and streamlined approach at storytelling is exactly what I look for in an album. The continually playful and progressive style of his effect-driven tracks and their multitude of tempos make Human Energy a wild white-knuckled ride. The composition of the album is such that it lends itself to a live performance, allowing fluid movement between tracks.

He began with "Ocean of Thought." Waves of emotion washed over the sea of faces, as the incredible over arching progression of the track reached its high water mark, breaking the levy, setting in motion a series of events that could not be stopped. The following track "Spectrum Sequence" brought beams of light as the crowd bounced along with the wobbly synth strides. Each climbing chord catches the ear, burrowing into the brain, taking command of our corporeal being, slipping into our souls.

The composition of each euphonic sound and symphonic stride is key to the quality of each track. There's a clear road-map for Machinedrum to follow, he just has to fill in the blanks with his finger drumming and machine manipulations. It was interesting to note that he didn't follow Human Energy's tracklist, opting to take us on a unique journey. Moving from the more anthemic arches to fast flying tracks and resplendent reprieves, the emotional roller-coaster that is his album and his performance of it, kept the floor of revelers on their toes. "Morphogene" is perhaps the best example of this. Nothing stays the same, "the only guarantees come with changes." The movement in each track is simply spellbinding.

It's impossible not to get whisked away by flourishes of "Isometrix" or the impressive intensity of "White Crown." Then again the stoic strength of "Colour Communicator" and its palpable perfection is enough to inspire even the most insipid listener. That's the beauty of Machinedrum's live performance and album. Despite relying entirely on computer based, digital sounds which obviously lack humanity and emotion, he is able to inject it chalk full of feeling and (human) energy. The albeit limited lyrical content succeeds in adding an emotional element and story we can sink our teeth into. Whether it's "Tell U," "Do It 4 U" or "Celestial Levels" the theme Human Energy stands strong throughout. The final track of the night "Angel Speak" had me feeling all kinds of awesome, simply stunned by the potent performance I had just witnessed.

As I tweeted last night, Human Energy is likely my favourite album of the year, Machinedrum's set may also be my favourite of the year, and he definitely deserves some sort of Grammy consideration, both for the album itself and what I believe to be the standout track (among others), "Colour Communicator." If you get the chance to check out a Machinedrum show, DO IT! And be sure to stream Human Energy so you too can feel "sad, elated, wistful, petrified" and ready to explode. FOLLOW MACHINEDRUM: FACEBOOK SOUNDCLOUD TWITTER

Wednesday, October 12, 2016

Bump In The Hump Sneak Peek: Weekend Warmup

This week on Bump In The Hump, I take the Weekend Warmup from a single track preparing you for a single event, and triple it in size. The final three tracks of the night will get your ready for Frustra, Hudson Alexander and RYME all performing this weekend. First I've got the pleasure to premiere a brand new Frustra track featuring frequent collaborator Nahte. The new track "Body" is set to drop November 1st via OKNF alongside a number of remixes. I'll be playing it in support of a new party called CRUEL CLUB, which will see Frustra performing live alongside Mavis and Nahte, Thursday at The Steady Cafe & Bar. It's a free event so no need for tickets, but if you're interested you can find out more details via the Facebook event. Hear the premiere of "Body" live tonight on Bump In The Hump. Friday night Hudson Alexander will join fellow Bedroomer, Eytan Tobin at the Velvet Underground in support of Machinedrum's live tour. You'll hear his above track tonight in support of that event, and you can grab it alongside the two other free tracks he dropped Sunday for his titled mastered release. RSVP and get tickets for Friday here, and stream Machinedrum's new album Human Energy here. Rounding out this week's Bump In The Hump is the latest RYME production, a remix of M.in & Riven's "Connect." The duo of Rynecologist and Meech will be performing alongside yet another Bedroomer, Burglar, Saturday at The Hoxton in support of Boys Noize. Tickets are scarce but always come available last minute as people try to get rid of them. Best chance is to check the facebook event, here.

These three tracks will get you ready for particular parts of the weekend, while the rest of the hour of new music that is Bump In The Hump will get you ready for the weekend at large. I've got a new track from Zeds Dead ahead of their album Northern Lights which drops Friday, new remixes from Dom Dias, Future Magic, Young Bombs and Dropwizz as well as originals from Eekkoo, and Kayliox & A-SHO. It's as jam packed a show as the weekend. Listen to Bump In The Hump tonight, live from 6-7 PM EDT and join me at one of the above mentioned venues, Thursday, Friday and/or Saturday.