Continuation of the list started Tuesday:
from 100-76, which also includes my disclaimer/preamble. The middle sections can be found here:
from 75-51 &
50-26. Soundcloud playlist
here and at the bottom.
#25: M-City J.R. - Addicted To My Ex (Taylor Thomas x KGTO Remix)
Of all the remixes in this list, there is no original that I'd be less likely to listen to (save for "
All Star," although I certainly did when it came out in 1999). That being said this is one of the top 10 remixes of the year. It combines the loco lyrics that made the original so strange yet alluring, with a brand new ballsy delivery. Whether you have an ex like this or not, you'll certainly be flexing those trap arms when the dope drops screech in. It is absolute madness, especially in the fantastic "aahh" samples.
#24: Caveman - Life Or Just Living (Lil Hank Remix)
(
As featured on EFYE) No track in this list invokes as warm a feeling and sure smile as this one. It was my introduction to
Lil Hank and while I love "
Pupperino" and "
A Young Puppo Is Born," it remains my favourite of the bunch. It features Hank's delightful drum delivery and playful warmth that can only come from such a good boy. You can always count on him pick you up at your worst moments, and that's exactly what this track does. It is so supremely buoying that it feels as though you're bounding weightlessly across the Sea of Tranquility. Yet it's not alien at all, it feels just like home.
#23: Sinjin Hawke - Monolith (Overture)
Album openings are tricky. I'm not a fan of innocuous intros that do or say nothing. And dropping the best track right from the get go isn't really appropriate either. Sinjin is able to avoid that issue, while seemingly confronting both flaws, head on. The orchestral warm-up sets up the explosive fire of the album, while giving way to the "
Wolves" vocal sample. And while there's still another track from
First Opus to come, this was certainly in the conversation for best track on the album. It features all the elements that make
First Opus my album of the year. It is big and bold, yet sprightly and spirited. The way the drums and vocals work and play together is utterly intoxicating.
#22: Oliver - Go With It (ft. Chromeo)
Chromeo always stir up something deep inside, but maybe I just better leave the lyrics to them. I too "feel some type of way" when they play next to me, "and I'm not tryna hide it/.../and I'm not gonna fight it." Yes, I absolutely love this, but I suppose we're here for why. It is of course uber funky and fun, combining the electro grooves of
Oliver and vivacious vocal play of
Chromeo. Each iteration of the synths are strong and self-assured. No matter what kind of day you're having, you'll be strutting when this comes on, any annoyances or aggravations will roll right off your shoulder.
#21: Everything Everything - Night Of The Long Knives
Last summer I had the pleasure of taking in
Everything Everything live and was immediately blown away. Jonathan Higgs' potent voice spun circles around my head both in spite of and because of the mystifying lyrics (see "
No Reptiles"). This led to their album
Get To Heaven becoming one of my all-time favs, I just couldn't get enough. When the follow-up,
A Fever Dream, was released I spent the whole day listening to it on repeat, particularly this lead track. It has everything I'd come to love about
Everything Everything, and more. Higgs' voice is even more powerful, the drums/guitar/bass even more magnificent, and the lyrics even more mystifying. Just try to play this a couple times without being swept up, joining in the with the singing. This Thanksgiving I was still riding so high on this track that I literally walked around the house all night singing "shame about your neighborhood."
