Showing posts with label Slowbody. Show all posts
Showing posts with label Slowbody. Show all posts

Wednesday, December 21, 2016

Top 100 Tracks of 2016: 100 - 67

Starting today through Friday, I'll be revealing my list of the top 100 tracks of 2016. The following is my disclaimer, as I feel it's important to preface this list with my methodology. I thought long and hard about this list, what and who I should include, where each track should fall, and how to go about doing that. Should I include multiple tracks from one artist? Am I trying to make a point/statement with my placement of each track? How do I deal with the recency bias, and the counter-effect of that on older tracks? The reality is, this blog is mine and mine alone. It is one man's opinions and despite my claims, that these are the "top" or "best" tracks, they are more truthfully my favourite, and what I believe to be tracks/artists that deserve further praise. I did not conduct any surveys, base the ranking on plays or popularity, but rather I went with my heart.

As you'll see I did include multiple tracks from my favourite artists, as they are, at least in my mind, deserving. You'll also notice a hell of a lot of future bass tracks, as is only appropriate for 2016. I also tried to include a variety of other genres, but it will be clear what my tastes, and therefore favourite genres are. However, I certainly feel like this list ended up hosting very little "club" music, despite spending countless hour of 2016 in the clubs. That being said there are dozens of worthy tracks that I either forgot or excluded. Finally, I'll be posting a soundcloud playlist at the bottom of each post, as best I can, assuming each track is still online. So here we go with the first 34 tracks.

#100: Photay - Trophy
(As featured on EFYE) I had to choose one track from Photay's Sadie EP and as I wrote previously, "Trophy" is bold and beautiful. It's the kind of experimental track that I cannot place into a single genre, save for the catch all category of 2016, future bass. The synth work is brilliant and full of feels. And as you'll see, the progression and movement it boasts is the key to many of the tracks on this list.

#99: Cowboy Rhythmbox - Mécanique Sauvage
This techno joint takes be back to the days when the likes of Gesaffelstein, Justice and the classic Boys Noize and Erol Alkan's collabs dominated my playlists, so it's fitting that it was released on Phantasy Sound. The genius of "Mécanique Sauvage" is its raw hammering style, contrasted beautifully by subtle tweaks and progression. This would absolutely destroy a club.

#98: Terror Danjah - All I Need (ft. Dot Rotten)
I got scared for a second when I saw that this song was on soundcloud 3 years ago! However, it still qualifies for this list as it was only released in August of this year. This is one of the deeper more beautiful tracks on this list. Terror lays down a brilliant beat and Dot displays his vocal prowess in more ways that one. His flow is fire and his words will have you wiping away tears.

#97: Bob Moses - Like It Or Not (Joris Voorn Remix)
(As featured on EFYE) Of the Bob Moses remixes that could have fallen on this list, I decided to go with the Voorn version because of its truly epic nature. The journey Joris takes us on is absolutely breathtaking, it gives the feeling of flying with its soaring synths. At the same time it dives to an unknown abyss, with its dark, almost alarming, bass throbs. Buckle up for the brilliance of Joris Voorn.

#96: Solid Groove & Sinden - Din Da Da (Yolanda Be Cool Re-Jiggle)
This is another one of those tracks that take me back to the "good old days," specifically 2006/7 when the original was first released. I first heard this when RYME played it this summer, ushering in one of my most stanky, screw faces. On a proper system you'll be making the same oo's and ah's as the vocalist, thanks to the nonstop bouncy bass. This is a confirmed club killer.

#95: FrankJavCee - Pop Song (ft. Marionismagical)
(As featured on EFYE) I couldn't do this list without including this brilliant indictment of pop music, as you'll see there aren't many, if any, pop songs on this list. Not that there's anything wrong with them. And that's exactly what this song is about, how can you hate on pop music when you make an awesome pop song. Music is about enjoyment, and I thoroughly enjoy this and all tracks on this list.

Monday, December 12, 2016

ValyMo & Broady - Get Funky

As part of Gold Digger's We Are Bass House year end compilation, ValyMo and Broady have teamed up to drop French bass track "Get Funky." As part of the explosion of both bass house and French artists (Malaa, Slowbody, Dombresky, LH4L, etc), we've seen a surplus of copycat producers trying to live up to the likes of those mentioned above. But there's really no questioning the quality of ValyMo or Broady; ValyMo can boast productions for OWSLA, UKF and Ultra, while Broady cannot match that list, he's released numerous quality tracks ranging from "Hunnid For The Quarter," "Go The Farthest," "Kush World," and "Never Say Never." Considering his account is only 8 months old, Broady is a fast rising talent, and this collab with ValyMo will only hasten that. "Get Funky" stands out from the aforementioned surplus of bass house tracks, with well thought out layers of production working together brilliantly. From the vocal samples, through the ratcheted bass synth and throbbing subs, the overall design of "Get Funky" leaves little to be desired. The fills are fire, its atmosphere intoxicating and the continuous progression ensures it never gets stale. If this track turns your crank, you'll likely enjoy the other 14 tracks in the compilation, but first, get "Get Funky" for yourself free, here. FOLLOW BROADY: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW VALYMO: FACEBOOK SOUNDCLOUD TWITTER

Sunday, April 24, 2016

RYME and Justin Jay Deliver The Goods

After posting some my hopes and expectations for RYME and Justin Jay's sets yesterday (full post here), they proceeded to meet and surpass anything I could have hoped for. In typical RYME fashion they played so perfectly to the crowd dropping two tributes to Prince, first the original Green Velvet "Bigger Than Prince," and the heartrending mashup of "When Doves Cry" and Metro Area's "Miura." The duo also delivered on my desire to hear some Tiga, with the ridiculously wild Hey Today! remix of "You Gonna Want Me." And yes they did drop some exclusive and unreleased BADLQQK content, to which they made good on my request for Slowbody's remix of KMRT "Flash Flash."  Furthering their streak of bangers, they once again went to Marc Spence's truly filthy track "Nasty." But perhaps the greatest joy I got last night was when Justin Jay played his Late Nite Dub of "Karma," to which I felt ridiculously compelled to personally thank him, giving him my phone with the message "YOU MADE MY NITE." It is that connection between the DJ and the crowd that makes EDM so alluring. And whether it was with fellow Dirtybirds Sacha Robotti's "Shaky," Tim Green's "Kitch-In" or Renato Cohen's "Suddenly Funk," Jay established his groove early starting with his edit of Tag Team's "Whoomp," (which you can find in his "Fantastic Voyage House Party Mix") and kept us reaching for the sky through his set in absolute ecstasy. 

Saturday, April 23, 2016

What I Hope To Hear Tonight from Justin Jay and RYME

After arriving to late to see RYME at the last No Neon, I swore I wouldn't miss their next set, and today's the day I make good on that sentiment. They'll be alongside headliner Justin Jay as part of his Fantastic Voyage tour, along with support from fellow Toronto DJ Simon Jain. Apart from my well known love of RYME, I really started to get excited for tonight's show after Justin Jay dropped his incredibly awesome and joyful Late Nite Dub mix of his already engrossing track "Karma." I've found myself lost in his magnificent mix multiple times since he dropped this past Tuesday. Although it may not be the typical headlining track, I sure hope to hear it on The Hoxton's strong speaker set up. Lately I've been lamenting the lack of older, more classic tracks in sets I've heard recently. I understand why, people will always hunger for the next hot new ID, but there's no questioning the rush of endorphins that comes with a nostalgic track. That's why I hope to hear the first track I properly knew from Justin Jay, the ingeniously produced, club-thumper "Static."
It's crazy to think that it's been almost exactly 13 months to the day since Alison Wonderland released her debut album Run. I still listen to it quiet often but have found myself going to the remixes more often as of late. My favourite original, "Take It To Reality," just so happens to be remixed by tonight's Captain, Justin Jay. It's easy to feel lost at sea, with his tidal ebb and flowing mix, but I'll be the first to say I'd be comfortable with the Admiral at the helm.
Fresh off their BADLQQK Remixed EP, label runners RYME have bolstered their already overflowing crate of tracks with powerful productions like Slowbody's banging remix of KMRT "Flash Flash."
I'd really like to hear some Tiga tonight, and RYME always seem to feed into my insatiable hunger for the Montreal based Techno God. Perhaps it'll be their own remix of the ear-worm "Bugatti."
My passion for RYME's remix of Sia & The Weeknd's "Elastic Heart" is well known, and sadly it's no longer available (except in Electronic Impressions, here), which certainly adds to it's allure. But it's their remix of tastemaker Anna Lunoe's "Satisfaction," that I'm feeling more at the moment. Grab that free d/l.
Meech has gone so far as to insist that I arrive in time for their intro, so if it's anything like the opening of their set when I saw them last at the Night Bass party with AC Slater and fellow BADLQQKer Cosella, they ought to blow it out of the water. If I get one of the following, Fake Blood, Mr Oizo, Justice, or Boys Noize I'll be more than happy.

I'd be happy if RYME played a mix similar to their recent delivery for Euphoradio, or if Justin Jay were to play one similar to "Fantastic Voyage House Party Mix." Tonight is going to be 'lit' <- LOL
Tickets are still available here, and you can RSVP via the facebook event, here.

SUPPORT JUSTIN JAY: FACEBOOK SOUNDCLOUD TWITTER
SUPPORT RYME: FACEBOOK SOUNDCLOUD TWITTER
SUPPORT SIMON JAIN: FACEBOOK SOUNDCLOUD TWITTER

Thursday, April 14, 2016

Throwback Thursday: RYME Interview & BADLQQK Remixed

For this installment in my Throwback Thursday series, I take a look back at the duo RYME, aka Meech and Rynecologist, and the huge leaps and bounds they've taken with their label BADLQQK. About 10 months ago, my partner in crime for Electronic Impressions, Christian Kwamie and I had RYME in studio to chat about their lives as DJs, producers and all around awesome Toronto artists. While the topic of their BADLQQK collective came up, I doubt any of us had any inkling just what it would become. Now after six original EP releases from Slowbody, Cosella, Fearz, Craig Williams, KMRT and of course the duo themselves, they are set to drop a massive five track remix EP, April 19th on Beatport/worldwide May 3rd. After having the Fearz remix of their track "Cockfight" premiered by the one and only Anna Lunoe on her Beats1 show (listen here), the duo have released the full streams of each remix on BADLQQK's soundcloud page below. Since then RYME have teamed up with Toronto outfit Euphoradio dropping a 60 minute mix that serves as an excellent entree ahead of their April 23rd set at The Hoxton alongside Justin Jay, for which you can buy tickets, here.

SUPPORT BADLQQK: FACEBOOK SOUNDCLOUD TWITTER
SUPPORT RYME: FACEBOOK SOUNDCLOUD TWITTER

Sunday, November 29, 2015

AC Slater, RYME & Cosella, Night Bass At The Hoxton

Last night, The Hoxton played host to a crazy party combining the forces of two bass heavy labels, BADLQQK and Night Bass. Cosella, part of the BADLQQK collective, took over the decks just as I arrived shortly after 11. Being the crafty local talent that he is, he started his set off with a cheeky remix of Drake's "Hotline Bling" with a female singer rather than the six god. But that wasn't the only remix of a local pop star. He also dropped his own edit of Chris Lake's bootleg mix of The Weeknd, "Can't Feel My Face." I'm with RYME on this one, really hope he uploads it, unfortunately Chris Lake hasn't even uploaded his version so it's doubtful, but we can still hope.

Cosella did an incredible job filling up the dance-floor and getting the crowd active. He played just the right mixture of old and new tracks, constantly working them over with filters and other knobs. I specifically remember him playing the Tom Staar remix of Dansson & Marlon Hoffstadt "Shake That," and his release on BADLQQK, "Elevator," which got people so hyped a fight broke out. However, the standout track for me, was a forthcoming one from Eyes Everywhere, that I'll be watching out for.