Twitter really can be treat sometimes. Friday I noticed Nero make a rare appearance on the platform, retweeting an account called Fickle & Vice. The tweet was tagged #80s #1980s #YachtRock #synthwave #nostalgia, showcased a short video clip, and of course captured my attention. Turns out Fickle & Vice are at least partially related to Nero as they are made up of Daniel Stephens and Joseph Watson (whose name bears a striking resemblance to the Nero's other two members: Joseph Ray and Alana Watson). This retro synthwave appeal is not new to Nero fans either as the trio released 1988 and '92 remixes of their "Into The Night" and "Two Minds," respectively.
Originally debuting the Fickle & Vice project in 2017 with "One Time Thing," Stephens and Watson have slowly put out five singles with the most recent "Don't Hang Up (I Want You Back)" dropping this past Friday. Always infectious in their divine synth-driven delivery, this new single lives up to both the Nero benchmark for quality, especially in their vivid soundscape creation, and the carefree charm of Fickle & Vice. It is extremely well produced, putting an incredible number of instruments to use, deftly combining them into a slick slice of pop perfection. From the first glorious guitar lift through each subsequent synth swell and percussive punch, "Don't Hang Up" is an entirely awesome introduction for those who have been sleeping on Fickle & Vice. Dig into the duo's killer catalog on either Soundcloud or Spotify.FOLLOW FICKLE & VICE: FACEBOOK SOUNDCLOUD TWITTER
UPDATE: Joseph Watson is indeed part of the Nero family. He's Alana's brother, Dan's brother-in-law.
The frenetic world of electronic music is full of distractions and diversions, hindering the ability to find transcendent music. Let Oggie James be your guru and lead down the path to musical Enlightenment. Album, song and event reviews, mixtapes, and radio shows, light the way to Enlightenment, conveyed by Oggie James.
Showing posts with label Nero. Show all posts
Showing posts with label Nero. Show all posts
Monday, May 18, 2020
Monday, March 30, 2020
Backstage with Elazion and Odesho
Recommendations, in the order they arise in the episode...
DJ Flipout/Skratch Bastid/Red Bull 3Style: DJ/MC associated with both Virgin Radio Vancouver and the Red Bull 3Style DJ competition. DJ/Global Ambassador for the Red Bull 3Style DJ competition. Both great Twitter follows.
Repost-Toggle for Soundcloud: An Chrome extension I use to streamline my feed.
Nero - Symphony 2808: My first encounter with electronic music re-imagined in an orchestral/symphonic format.
Pete Tong, Jules Buckley & The Heritage Orchestra - Ibiza Prom: The start of Pete Tong's venture into the orchestral realm, with a studio album of this concert (here) and two more after (below).
Pete Tong Ibiza Classics: A second orchestral album of re-imagined Ibiza classics.
Pete Tong - Chilled Classics: A third orchestral album with a mix of original productions and classic re-imaginings.
Ed Banger 15: Orchestral versions of classic Ed Banger releases celebrating their 15th anniversary. See live concert here.
Yanni: An incredible composer/producer/etc. Countless fantastic tracks and albums, but his live The Concert Event album was the one that hooked me, even better enjoyed if you watch the live videos.
Skratch Bastid & Afiara Quartet - Spin Cycle: A brilliant experiment combining scratching and strings. Also best enjoyed with accompanying video. See full concert at Koerner Hall here.
Skratch Bastid - Kenny Rodgers Tributes: Pretty self explanatory. Turntable tributes to The Gambler. First video here and a followup here.
Porter Robinson Monstercat Showcase: My peak Porter enjoyment. One of my favourite mixes of all-time.
Knife Party Essential Mix: One of the most incredible debut sets/Essential Mixes. Peak Knife Party.
Score: A Film Music Documentary: A fantastic doc on some of the major players in "the world's most widely known music genre" with interviews from John Williams, Danny Elfman, Hans Zimmer, etc.
Queen Of The South: One of my favourite TV shows, scored by Giorgio Moroder.
Breaking Bad/Better Call Saul: Incredible music direction. Particularly in the montage scenes. Two stand out in particular, at least in recent memory, both from Better Call Saul. BADBADNOTGOOD - Can't Leave The Night and Todd Terje - Alfonso Muskedunder.
The Wire: Every time I think back to the month or two it took me to binge it, I'm filled with nostalgia and the desire to relive what is widely considered to be the best TV show ever.
Explained - Music: Incredible, informative and logic-based mini doc on music. Narrated by Carly Rae Jepsen and featuring TOKiMONSTA.
The Nature Of Things - Sonic Magic: The Wonder and Science of Sound: Another incredible documentary, detailing the magic behind music and its multi-sensory qualities.
It's All Gone Pete Tong: The 'true story' of a DJ who goes deaf, but continues to produce through vibrations.
Daft Punk, Nile Rodgers, Pharrell, & Stevie Wonder: Perhaps my favourite ever Grammy performance.
The Night: A Nero 'side-project' between Alana Watson and Dan Stephens. Meanwhile Joseph Ray is doing solo work under his own name.
Tuesday, March 10, 2020
Protostar - Overdrive (ft. Emma McGann)
Back with his fourth single in as many months, Dunstable DnB producer Protostar has a hit on his hands with "Overdrive." With two versions, including an instrumental and a vocal cut featuring "Where I Belong" collaborator Emma McGann, "Overdrive" takes me back to one of my favourite times and sound periods: the early 2010s, particularly Nero's Welcome Reality. More than just the powerful female vocals of McGann and Alana Watson, I'm reminded of this era's brilliance through the futuristic soundscape, similarly punchy percussion and buoyant, striding synths. Of course Nero are more widely associated with dubstep, but it's nearly impossible to separate it from DnB and the two are often paired perfectly. Here with "Overdrive," the imagery Protostar creates is both bright and dark in the same sound, like a mix of neo-noir and sci-fi films (think Blade Runner 2049 and Tron: Legacy). It is punchy and propulsive, yet is not at all overwrought or over-the-top. A good headbanger, easily enjoyed with or without its expertly treated vocals, "Overdrive" is a welcome addition to 2020, a year in which DnB continues its assault on the collective consciousness. Add it to your catalog via Monstercat, here.FOLLOW PROTOSTAR: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW EMMA MCGANN: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW EMMA MCGANN: FACEBOOK SOUNDCLOUD TWITTER
Tuesday, June 11, 2019
Nero x 1788-L - Etude vs Rinzler (Primary Being Rework)
The current explosion of electro-inspired midtempo and dubstep could not have happened without the likes of Nero laying the groundwork years ago, so it only makes sense that the pairing of those legends with the incredibly hot 1788-L would work wonders. Apocalyptic annihilation and dread-inducing destruction rule the roost in Sydney's Primary Being's rework, which combines Nero's "Etude" and 1788-L's take on Daft Punk's "Rinzler." As seems to be the case with so many of the tunes coming out of this sonic sphere, the image of a dystopian future is immediately apparent and that is most definitely the case here. The picture painted is full of fiery action, rife with robotic overlords, and overflowing with acid rain. But enough about the visuals and more about Primary Being's combination of the two killer cuts. Nearly seamlessly spun together, this reconstituted double dose of destruction goes back and forth between the two bangers, as though Nero and 1788-L were firing missiles at each other, leaving nothing but scorched earth in their wake. Get the radioactive rework free via Hypeddit.FOLLOW NERO: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW 1788-L: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW PRIMARY BEING: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW 1788-L: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW PRIMARY BEING: FACEBOOK SOUNDCLOUD TWITTER
Tuesday, October 30, 2018
Mall Grab - Feel Good House (Craig Knight Remix)
Over the past few months I've called house not just my home, but the heart of electronic music. There may be no better example than this multilayered track from Craig Knight, a remix of Mall Grab's "Feel Good House." Sampling the same piece as one of my favourite tracks, Nero's "Must Be The Feeling," they both pay homage to "Time To Move" from Carmen. So from 1984 and electronic music's infancy to the familiarity of Nero in the electronic music explosion to Mall Grab's 2018 house recasting in electronic music's golden age. And with that comes the onslaught of endless remixes of today. But that's not all the intrigue with this track; it started out as a Mall Grab instrumental but was officially released under the name Young Romantic and "Move," and that's actually where the album artwork is taken from. So perhaps this mix ought to be labeled as a remix of "Move," but whatever you want to call it the allure is undeniable. Filter heavy, fun, funky and freeing, the blend of piano house and disco vibes make this version really pop. It's got the power of MK and the ease of french house with just the right amount of percussion interplay. Download "Feel Good House" for free via Hypeddit here.FOLLOW CRAIG KNIGHT: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW MALL GRAB: FACEBOOK SOUNDCLOUDTWITTER
FOLLOW MALL GRAB: FACEBOOK SOUNDCLOUD
Friday, August 24, 2018
Enlightened Listening for August 24
Some weeks you just get lucky and stuff literally seems to fall in your lap. That's the case with one of today's tracks from SSOS, an artist I didn't know I was following on Soundcloud or Twitter. Whoever that is they are not the only one to make their first appearance on my radar. That said this week's edition of Enlightened Listening is full of my favourites doing their best work. Bass is most definitely in, and in a variety of formats here. Check them out below and read brief descriptions at the bottom.
Bearcubs - Haunts
Bigger more expansive groove than usual Bearcubs, but that doesn't take away from its influence. Bold and beautiful, "Haunts" swings a strong sword to your heart.
Autolaser - less
Stunning. Could just say that. Bright beautiful effervescent soundscape, with lovely lavish grooves and subtle playful diversions. It's tracks like this that, in my opinion, prove we're in a golden age.
knapsack - Matrix*
Did someone say golden age? That's the quality of this knapsack production. As I said above, these are some of my favourites doing their best work, and this is so that. From the real strings, to the genuine feel, knapsack has made one hell of a track. It just feels so damn good to listen to.
The Night - Set Me Free
I'm on a role with segues because I haven't smiled this much listening to a song in a long time. I'm a sucker for Alana Watson (her delivery makes my heart quiver), but boy did Dan Stephens surprise me with the production. The crisp balanced delivery of Nero is there ,but it in a more funky, upbeat fashion. And to be honest I'm not sure there's anything I like more (take their '88 and '92 VIP mixes).
Woofax - Momentum
Killer electro funk from from who else but Westwood Recordings. My favourite from the EP of massive, anthemic glitch hop. Guitar riff guide this ridiculously destructive, speaker rattling vibe.
Gramatik & Kotek - Vitalik Buterin
Kotek just doesn't stop. Is this his 4th track in 2 weeks? Not quite but damn. A masterful mix of Gramatik's groove genius and Kotek's killer crack, rattle and roll. A brilliant banger.
Big Sean - Bounce Back (Vanic Remix) [SSOS Flip]*
This one's shrouded in mystery. Me and over 7000 people are following SSOS, presumably many others unknowingly like me. Seemingly Vancouver based, this first release comes a day before their Vancouver debut with Y2K at Redroom (here). Identity aside, this is one hell of a mix... of a mix.
Rohaan - Spine*
A few seconds in I was reminded of thook, and Rohaan certainly delivered the same unique quality. The craziest combination of sounds and samples combine over massive bass and killer percussion. Genius.
rOhmz - Vagarious
Dazzling DnB from a Canadian I'd never come across before. Deft design and big wobbling bass.
Voliik x I Am Sid - Croatoan*
Midtempo is hot right now and so are these two. Dark and destructive, punches are definitely thrown. Would be wild to see this one rock a crowd.
32stitches - Fallout (Far & Few Remix)*
Speaking of hot and crowd rocking, dark bangers, Far & Few upped their game again. The unease ridden opening delivers a desolate soundscape with soul crushing synths breathing down your spine. Your skeleton then exits your body with an unexpected irksome second drop. Scary good stuff.
Djedjotronic - H+
As good as ever, Djedjotronic has delivered one of the best twists of the year here. I don't care how you feel about the first half, the release at 2:22 is pure ecstasy. Funky, fat, acid techno. Fkn right!
* asterisks indicate track available for free download
Bearcubs - Haunts
Bigger more expansive groove than usual Bearcubs, but that doesn't take away from its influence. Bold and beautiful, "Haunts" swings a strong sword to your heart.
Autolaser - less
Stunning. Could just say that. Bright beautiful effervescent soundscape, with lovely lavish grooves and subtle playful diversions. It's tracks like this that, in my opinion, prove we're in a golden age.
knapsack - Matrix*
Did someone say golden age? That's the quality of this knapsack production. As I said above, these are some of my favourites doing their best work, and this is so that. From the real strings, to the genuine feel, knapsack has made one hell of a track. It just feels so damn good to listen to.
The Night - Set Me Free
I'm on a role with segues because I haven't smiled this much listening to a song in a long time. I'm a sucker for Alana Watson (her delivery makes my heart quiver), but boy did Dan Stephens surprise me with the production. The crisp balanced delivery of Nero is there ,but it in a more funky, upbeat fashion. And to be honest I'm not sure there's anything I like more (take their '88 and '92 VIP mixes).
Woofax - Momentum
Killer electro funk from from who else but Westwood Recordings. My favourite from the EP of massive, anthemic glitch hop. Guitar riff guide this ridiculously destructive, speaker rattling vibe.
Gramatik & Kotek - Vitalik Buterin
Kotek just doesn't stop. Is this his 4th track in 2 weeks? Not quite but damn. A masterful mix of Gramatik's groove genius and Kotek's killer crack, rattle and roll. A brilliant banger.
Big Sean - Bounce Back (Vanic Remix) [SSOS Flip]*
This one's shrouded in mystery. Me and over 7000 people are following SSOS, presumably many others unknowingly like me. Seemingly Vancouver based, this first release comes a day before their Vancouver debut with Y2K at Redroom (here). Identity aside, this is one hell of a mix... of a mix.
Rohaan - Spine*
A few seconds in I was reminded of thook, and Rohaan certainly delivered the same unique quality. The craziest combination of sounds and samples combine over massive bass and killer percussion. Genius.
rOhmz - Vagarious
Dazzling DnB from a Canadian I'd never come across before. Deft design and big wobbling bass.
Voliik x I Am Sid - Croatoan*
Midtempo is hot right now and so are these two. Dark and destructive, punches are definitely thrown. Would be wild to see this one rock a crowd.
32stitches - Fallout (Far & Few Remix)*
Speaking of hot and crowd rocking, dark bangers, Far & Few upped their game again. The unease ridden opening delivers a desolate soundscape with soul crushing synths breathing down your spine. Your skeleton then exits your body with an unexpected irksome second drop. Scary good stuff.
Djedjotronic - H+
As good as ever, Djedjotronic has delivered one of the best twists of the year here. I don't care how you feel about the first half, the release at 2:22 is pure ecstasy. Funky, fat, acid techno. Fkn right!
* asterisks indicate track available for free download
Labels:
32stitches,
Autolaser,
Bearcubs,
Big Sean,
Djedjotronic,
Enlightened Listening,
Far & Few,
Free Download,
Gramatik,
I Am Sid,
knapsack,
Kotek,
Nero,
Rohaan,
rOhmz,
SSOS,
The Night,
Vanic,
Voliik,
Woofax
Wednesday, November 08, 2017
Bump In The Hump Sneak Peek: Sordid Soundz - That Disco Sound
The mere mention of Spacedisco gives me a good feeling. Really, what could be a better combination? Earlier this year we heard the absolutely incredible "After The Rain" from Demuir, on hometown hero Hatiras' label, and now today I've got, not one but, two new tracks from Spacedisco Records. Below is the latest release from Ian Donaldson, aka Sordid Soundz, and while he's relatively new release-wise, his musical background includes working with Bronski Beat. With that in mind it's clear to see he's got synth skills coming out the wazoo. "That Disco Sound" is sure to get you movin' and groovin'.Tonight's episode of Bump In The Hump is unlike any we've had before, and that's saying something considering the wide array of elements it always entails. It starts off epic in arc (the first 5 tracks running 35 minutes), before finding breakbeat, funk, dancehall, future bass, trap, garage, bassline and dubstep in the fire finale. There's remixes of big names like Nero, Notorious B.I.G. and even Kendrick Lamar. Plus there's the weekend warmup, in which I'll be looking ahead to RL Grime's set at The Danforth Music Hall, Saturday (RSVP/Tickets). Take part in the two hour extravaganza live on Radio Humber from 6-8 PM EST live here, or find the full upload after the fact via Mixcloud.
Friday, September 15, 2017
KRANE - Nobody But You
Maybe you know him from his incredibly successful sample packs, or perhaps his epic output in the past 3 years. No matter what, it's highly unlikely that you haven't heard of KRANE. I first came across him with the utterly ingenious "Dollar Sines," and have since fallen for his work with Alexander Lewis, Keys N Krates, Ekali and others. Aside from his incredible originals and rigorous remix catalog, he's also become known for giving away free bootlegs, the latest a 13 track mix of mashups, edits and rejected remixes. So yeah, I think we've sufficiently established that this is man making waves, and churning out music at a maddening rate, which includes today with "Nobody But You."
Just one look at the album art and you should be able to grasp the time and space "Nobody But You" takes place. It's undeniably Blade Runner reminiscent, and almost Nero-esque in its essence. The connection to Nero continues in the soundscape KRANE's created with an enveloping atmosphere, driven by big bass drums and a perilous piano. There's a kind of danger to the delivery of this neo-noir future, especially as established with the wailing siren in second drop. Of course it includes KRANE's trademark rattling snare, and suffice it to say, it works perfectly in the explosive energy of this tech driven future landscape. Rounding out the track, and perhaps completing the story, is the vocal that not only gives the track a necessary human feel, but one that reminds me of Keys N Krates. It is the beacon of hope that the hero of this picture clings to. "Nobody But You" is the perfect combination of cold heartless technology and the human heart behind it. Enjoy it via your preferred service here.FOLLOW KRANE: FACEBOOK SOUNDCLOUD TWITTER
Just one look at the album art and you should be able to grasp the time and space "Nobody But You" takes place. It's undeniably Blade Runner reminiscent, and almost Nero-esque in its essence. The connection to Nero continues in the soundscape KRANE's created with an enveloping atmosphere, driven by big bass drums and a perilous piano. There's a kind of danger to the delivery of this neo-noir future, especially as established with the wailing siren in second drop. Of course it includes KRANE's trademark rattling snare, and suffice it to say, it works perfectly in the explosive energy of this tech driven future landscape. Rounding out the track, and perhaps completing the story, is the vocal that not only gives the track a necessary human feel, but one that reminds me of Keys N Krates. It is the beacon of hope that the hero of this picture clings to. "Nobody But You" is the perfect combination of cold heartless technology and the human heart behind it. Enjoy it via your preferred service here.FOLLOW KRANE: FACEBOOK SOUNDCLOUD TWITTER
Monday, August 28, 2017
Nero share two demos in honour of 28/08
Six years ago British trio Nero released their debut album Welcome Reality. The concept album was driven largely by an 80s electro inspired future, first established in the lead track "2808" and immediately followed by "Doomsday." This dark and moody atmosphere always made me imagine them as the perfect pairing with a neo-noir film, a la Blade Runner. With a reboot in the works, we could only hope that Nero would find themselves a part of the project, and while that may still happen, we've been blessed with a demo they did (below). In honour of today's date 28/08, they made that demo available free, alongside a new version of the epic "Innocence." Stream and download both below.FOLLOW NERO: FACEBOOK SOUNDCLOUD TWITTER
Saturday, August 05, 2017
Post Malone - Congratulations (Goshfather x Aylen Remix)
Hey you! Yeah, you. You ever heard of this guy Post Malone? You know that White Iverson guy? Yeah, him. He's got a new track and it's the hottest shit on the planet. Oh you've heard it? A million times? Oh shit, my bad. Well what about a remix? Oh really? Dozens?! Damn, I'm sorry. But how about this one?First off apologies for being such a sardonic sack of you know what, but I just can't help myself when I've been bombarded with the same song for months and months. I'm sure that like me you've heard just about a bazillion remixes of "Congratulations," some good, some bad, but the one I came across this morning bests them all. Goshfather and Aylen leave just enough of the original intact to keep your attention while getting wicked in their recasting. I've written about Aylen several times here, particularly because of his awesome and evil sound design. Once again that salaciousness runs front and center as he and Goshfather fill the tune with a flurry of fire disco feels. It's dark and dirty, invoking delirium as those only familiar with the original struggle to breathe as stabbing strings suck up all the oxygen. Whether those jabs are actually from Nero's "Must Be The Feeling" or recreated, I'm always happy to have some hard hitting and bad-ass bass to go with a groove that guarantees flying footwork. Even if we've hit peak "Congratulations," I'm happy to have this remix. Get it for yourself free here.
FOLLOW AYLEN: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW GOSHFATHER: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW AYLEN: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW GOSHFATHER: FACEBOOK SOUNDCLOUD TWITTER
Thursday, November 24, 2016
Lumacid - Kiloscum
Perfect for Thanksgiving, New York's Lumacid has just given away "Kiloscum," a gamer-friendly track, as thanks for reaching 600 soundcloud followers. "Kiloscum" begins with an interstellar backdrop, exemplified by the StarCraft 2, Terran Advisor quotes throughout. Sticking with the StarCraft theme, the dubstep warbles, explosions and technological tuning of the entire track make it perfect for gamers. I think what I like so much about Lumacid's production, is the clearly crafted soundscape and sound design - from the precise percussion, to the synth that sounds just like a warning alarm. He's done well to craft a track that progresses seemlessly, telling a story, and one that, to me, is reminiscent of Nero's futuristic, doomsday vibes. Add "Kiloscum" to your gaming playlist, absolutely free, here.
FOLLOW LUMACID: FACEBOOK SOUNDCLOUD TWITTER
Tuesday, October 11, 2016
9 new tracks from the long weekend
Whether you're Canadian and celebrated Thanksgiving, you're American and celebrated Columbus day, or you're neither, you may have missed some fresh new tracks from the likes of Bring The Noise, Lost Kings, and Skylar Spence among others. Classics from Nero and Porter Robinson/Madeon received bootleg remixes, but of course that's not all; I've highlighted 9 tracks that range from light and bubbly pop to dark electro bass. The first, and perhaps most disturbingly underplayed track of this weekend comes from Bring The Noise. Despite their near 15k followers on Facebook, "West Side" has only 23 plays at the time I write this. This is a travesty as it is an absolutely awesome production, dripping with dark vibes, playing with old school rap motifs while warbling bass throbs beneath, giving the impression that something immense is about to happen. It sets us up perfectly for the rest of the tracks to come.
Obviously I'm a fan of Nero's "Crush On You," after having written about Animal HÖuse's remix of it last month. Now DJ duo DIV/IDE has put their own touch on the classic, relying on a piano driven lead and an awesome bass house drop. The groove is strong with this one, freely flowing, and utterly enjoyable.
Changing course drastically, the next track is from one of the brightest duos in the game right now, Lost Kings. Their latest, "Phone Down" continues their tropical tilt alongside divine piano chords, and a powerful and poignant message from vocalist Emily Warren.
Maybe the most alluring track in this nine pack (knowing my love for hyperactive bubbly pop tracks), comes from gupi, in the form of "Great Day." It's like if the Teletubbies took speed, went to Tommorowland, and this is the soundtrack to the montage video. "Wow, what a great day..."
As deep and dark as the infinite abyss that is outer-space, where Moonzz and her track "Wonder" emanate from, this mix from DNMO ups the ante, injecting the original with rocketfuel. It refills the stasis chambers allowing the interstellar vehicle to travel further than ever imagined.
Bursting at the seams, Pierce's track "What We're Looking For" is absolutely explosive. There's no way you can hear this track without feeling it's tremendous power, while brilliantly combining a number of sounds and styles. Like many of the above tracks it too can be downloaded for free.
After seeing Skylar Spence at Bestival this summer, I knew I'd found someone special. The uplifting and groovy disco vibes he delivers are simply sublime. His latest, released on Carpark Records, maintains that delightfully dance-worthy energy and sentimentality.
Of course Porter Robinson and Madeon's collaborative effort "Shelter" has been firmly entrenched in the minds of their thousands of fans, but save for Luca Lush's lift, there hasn't been a truly fitting remix. That is until now. soupandreas and Soflex seem to have been able to get into the mindset of the two veteran producers, reimagining "Shelter" as a more necessary reality, a hideout in an apocalyptic future.
The last track in this collection of new, fresh productions comes from Ryan Hemsworth's Secret Songs collective, courtesy Rytmeklubben member, DJ Karaoke. His superb and saintly synth work soars with brilliant beauty alongside an angelic, ethereal choir. It too is available entirely free.
Labels:
Bring The Noise,
Div/ide,
DJ Karaoke,
DNMO,
Free Download,
gupi,
Lost Kings,
Luca Lush,
Madeon,
Moonzz,
Nero,
Pierce,
Porter Robinson,
Ryan Hemsworth,
Secret Songs,
Skylar Spence,
Soflex,
soupandreas
Thursday, September 08, 2016
Nero - Crush On You (Animal HÖuse Remix)
Florida based production crew, Animal HÖuse, who first appeared on Soundcloud in January with a remix of "White Iverson," are quickly becoming known for their unique brand of beastly bass bootlegs. Having already remixed A$AP Ferg, Benny Benassi and Cassie, their latest is a delightfully daring dub remix of Nero track, "Crush On You." As always the Floridians have offered their track for free, here.
Upon first listen I wasn't positive whether Animal HÖuse were remixing The Jets' original, a la Nero, or whether it was a remix of Nero themselves. There is no lack of original content here, although there certainly is a lot of Nero's now legendary instrumentation. I recently found myself re-listening to much of Nero's Welcome Reality and while the groove of "Crush On You" was my favourite of the album, that was were my enjoyment ended. There was just something disjointed about the original Nero dubstep drop that just didn't jive with my indulgence. However, Animal HÖuse seem to have remedied that derangement. This version flows much more smoothly while still offering that essential element of electronic anarchy.
Doc Brown offering up the line "back to the future" is the cheeky capstone that perhaps best describes this union of old and new, and making the old new, yet again. After having played Dom Dias' downtempo remix of The Jets' "Crush On You" on Bump In The Hump, I'm glad those classic vocals have received another revitalization, more in the way I'm used to hearing them. Art, and therefore music, is cyclical and referential, it is a mirror held up to society, but society has been a mirror in and of itself for years now. Animal HÖuse (knowingly or not) have perfectly illustrated the postmodern conundrum of originality. Everything is a reference to something that has already happened before, once again, knowingly or not. The key is quite simple, just be and just do you, and the end result will be virtuous and valuable. Animal HÖuse have done just that, and in doing so have opened the door for bedroom producers around the world to remix their favourite tunes guilt free.
FOLLOW ANIMAL HÖUSE: FACEBOOK SOUNDCLOUD TWITTER
Doc Brown offering up the line "back to the future" is the cheeky capstone that perhaps best describes this union of old and new, and making the old new, yet again. After having played Dom Dias' downtempo remix of The Jets' "Crush On You" on Bump In The Hump, I'm glad those classic vocals have received another revitalization, more in the way I'm used to hearing them. Art, and therefore music, is cyclical and referential, it is a mirror held up to society, but society has been a mirror in and of itself for years now. Animal HÖuse (knowingly or not) have perfectly illustrated the postmodern conundrum of originality. Everything is a reference to something that has already happened before, once again, knowingly or not. The key is quite simple, just be and just do you, and the end result will be virtuous and valuable. Animal HÖuse have done just that, and in doing so have opened the door for bedroom producers around the world to remix their favourite tunes guilt free.
FOLLOW ANIMAL HÖUSE: FACEBOOK SOUNDCLOUD TWITTER
Thursday, May 12, 2016
Throwback Thursday: Jack Beats - All Night ft. John B
This Throwback Thursday, it gives me great pleasure to once again revisit one of my favourite DJ duos, Jack Beats and their ever extraordinary production value. As a two part post, I'll first look back at their collaboration with vocalist John B, in "All Night," and second, still to this day, one of my favourite mixes ever, that just happens to start with that very track, a live recording of their 2011 set from Bang Bang night club in San Diego, listen and download here.
This post once again takes me back to the glory days of the Erol Alkan forum, which at the time led me to their live set, which hosted a number of then IDs, which turned out to be classics like their collaboration with Diplo, "War" and the incredibly hyped, aforementioned set starting track, "All Night."
It was immediately clear to Erol Alkanites that it was a forthcoming Jack Beats record, as it featured their trademark synths and subharmonic vocal manipulations, however it was the genius progression and perfect mood setting that had the forum followers drooling. Without a doubt "All Night," and the accompanying mix are quintessential Jack Beats; the duo's combination of incredible production value and songwriting from a single track perspective, and their unparalleled ability to combine tracks, and curate a top notch set that hits on all cylinders.
In the same way "All Night" combines incredible movement and depth, from the blithe and bouncy intro, through domineering and deep bass wobbles, to gyrating progressive drops, Jack Beats have crafted their set with the same transcendent touch. The tracklist is the perfect combination their own material (including ""Out Of Body," "Deep," "Shutterbug," "I'm Not Your Toy," and already a TBT, "Little Secrets") established hits ("Babylon," A-Trak's "Heads Will Roll," "Avalanche," Boys Noize's "Swoon," Afrojack's "Cool,""Innocence," Sub Focus' "Hold On," and Herve "Together") throwbacks (Outlander's "Vamp,") and underground bangers (Boy 8-Bit "Yard Birds" and Boris Dlugosch "Bangkok").
Listening back to this hour and half mix, gets me so excited to see Jack Beats, in just less than a month at The Hoxton, June 4th. It will be at least the 5th time I've seen them and I can honestly say that they never disappoint. Their mixes are always incredible, and as I look through my iTunes, I see at least 10 incredible mixes that never get old, whether it's their Essential Mixes (2010 & 2011), Promo mixes, for MixMag or their own EPs (Evolution Mix & Fabric Live), and even their live sets (Ultra 2013, Electric Zoo 2013 & Night Bass NYE 2015), there's hours of bass music to be enjoyed. Once again I've uploaded the 'Bang Bang Mix' for your listening pleasure, and remind you that tickets are still available for their show, here, while the facebook event is here.
SUPPORT JACK BEATS: FACEBOOK SOUNDCLOUD TWITTER
It was immediately clear to Erol Alkanites that it was a forthcoming Jack Beats record, as it featured their trademark synths and subharmonic vocal manipulations, however it was the genius progression and perfect mood setting that had the forum followers drooling. Without a doubt "All Night," and the accompanying mix are quintessential Jack Beats; the duo's combination of incredible production value and songwriting from a single track perspective, and their unparalleled ability to combine tracks, and curate a top notch set that hits on all cylinders.
In the same way "All Night" combines incredible movement and depth, from the blithe and bouncy intro, through domineering and deep bass wobbles, to gyrating progressive drops, Jack Beats have crafted their set with the same transcendent touch. The tracklist is the perfect combination their own material (including ""Out Of Body," "Deep," "Shutterbug," "I'm Not Your Toy," and already a TBT, "Little Secrets") established hits ("Babylon," A-Trak's "Heads Will Roll," "Avalanche," Boys Noize's "Swoon," Afrojack's "Cool,""Innocence," Sub Focus' "Hold On," and Herve "Together") throwbacks (Outlander's "Vamp,") and underground bangers (Boy 8-Bit "Yard Birds" and Boris Dlugosch "Bangkok").
Listening back to this hour and half mix, gets me so excited to see Jack Beats, in just less than a month at The Hoxton, June 4th. It will be at least the 5th time I've seen them and I can honestly say that they never disappoint. Their mixes are always incredible, and as I look through my iTunes, I see at least 10 incredible mixes that never get old, whether it's their Essential Mixes (2010 & 2011), Promo mixes, for MixMag or their own EPs (Evolution Mix & Fabric Live), and even their live sets (Ultra 2013, Electric Zoo 2013 & Night Bass NYE 2015), there's hours of bass music to be enjoyed. Once again I've uploaded the 'Bang Bang Mix' for your listening pleasure, and remind you that tickets are still available for their show, here, while the facebook event is here.
SUPPORT JACK BEATS: FACEBOOK SOUNDCLOUD TWITTER
Labels:
A-Trak,
Afrojack,
All Night,
Boris Dlugosch,
Boy 8-Bit,
Boys Noize,
Diplo,
Erol Alkan,
Essential Mix,
Free Download,
Herve,
Jack Beats,
Mixtape,
Nero,
Outlander,
Sub Focus,
Throwback Thursday
Friday, January 08, 2016
Botnek & I See MONSTAS - Deeper Love (MDK Remix)
Almost exactly one month ago, I teased an episode of Bump In The Hump with the Botnek & I See MONSTAS collab, "Deeper Love," which was also a part of a remix competition. Now, Bump In The Hump veteran, MDK has dropped his version in the Splice remix competition, and it's everything you'd expect from the Vancouver based producer; brilliant, dynamic and bleepy, bass heavy drumstep.
Currently sitting in sixth place (in terms of likes, despite being the most recent entry), MDK's version is so complex and full of movement, it's nearly impossible to quantify and categorize, showcasing awesome aptitude and a wide range of abilities. There is no room to grow bored in MDK's mix, that while holding true to much of the original, it does indeed diverge and create an entirely new and original feel. Head to the contest page, listen to the competitors and support for your favourite. My personal podium has MDK taking the gold medal, slushii sliding into second and MRVLZ rounding things out, with an honorable mention to K Bolt for the Nero-esque boss battle feels.
SUPPORT (BOTNEK): FACEBOOK SOUNDCLOUD TWITTER
SUPPORT (I SEE MONSTAS): FACEBOOK SOUNDCLOUD TWITTER
SUPPORT (MDK): FACEBOOK SOUNDCLOUD TWITTER
SUPPORT (BOTNEK): FACEBOOK SOUNDCLOUD TWITTER
SUPPORT (I SEE MONSTAS): FACEBOOK SOUNDCLOUD TWITTER
SUPPORT (MDK): FACEBOOK SOUNDCLOUD TWITTER
Labels:
Botnek,
Bump In The Hump,
Deeper Love,
Free Download,
I See MONSTAS,
K Bolt,
MDK,
Monstercat,
MRVLZ,
Nero,
slushii
Wednesday, December 16, 2015
Bump In The Hump: December 16 (Season 2, Episode 13)
Tracklist
- Dr. Ozi - Games
- Strange Talk - Painted In Gold (Robotaki Remix)
- Nero - Into The Night (ATTLAS Remix)
- Stream
- Ryan Hemsworth - Surrounded (feat. Kotomi & Doss)
- A-Trak feat. Jamie Lidell - We All Fall Down (STFU Remix)
- Chet Porter - Awakening
- Wilde - Temple (Beat Sampras Remix)
- #MashupInTheMiddle
- Ronettes - Sleigh Bells (PhatCap! Remix)
- Haywyre - Endlessly
- Disco Fries & Kaaze - We Are One (feat. Danyka Nadeau)
- Neon Steve - Party
- Dom Dias - Get Up
- Torro Torro - Make A Move (Skrillex Remix)
- #IsItTheWeekendYet?
- Zeds Dead & Dirtyphonics feat. Bright Lights - Where Are You Now (Hunter Siegel Remix)
Saturday, November 21, 2015
Best Mixes Of 2015
One of my favourite things about electronic music is the prominence of mixes and the curating that comes along with being a DJ. There are so many different kinds of mixes, some that are heavily pre-produced and others that are created organically, on the spot, both are valuable and can serve different purposes at different times. I love listening to them any time I'm doing anything, whether it be at working, working out, travelling, playing video games, washing the dishes or doing yard work. Over the years I've become a fan of a variety of different programs, podcasts, annual festival promo mixes or just whatever live set I can find. After the break, I'll be posting a large number of my favourite mixes from a variety of places. But to whet your appetite, check out this one from Alison Wonderland at The Mixmag Lab in Los Angeles.
Her set at the Hoxton was definitely one of the best I saw all year, the most energetic and intense DJing, that's for sure. I always feel like the more into the music the DJ is the more the crowd gets into it, Alison get top marks for this. Always really appreciate DJs not sticking to one genre or sound, especially when more than an hour long.
Labels:
A-Trak,
Alison Wonderland,
Benzi,
Boy 8-Bit,
Dillon Francis,
Diplo,
DJ Mustard,
Flume,
Free Download,
Mixtape,
Nero,
NGHTMRE,
Nina Las Vegas,
Porter Robinson,
Pusher,
Rezz,
RL Grime,
Ryan Hemsworth,
Rytmeklubben
Thursday, November 05, 2015
Throwback Thursday: La Roux - Quicksand (Boy 8-Bit Remix) [Review]
This is the first in my TBT series, in which I'll review the most influential tracks from my past. What better place to start than with the most played track in my iTunes, my favourite track of all-time and arguably the most influential for me in many ways. Flashback to 2009 when I was still just learning about the vastness of the world electronic music (not yet called EDM). I had just returned to school after summer break, armed with a new secret weapon, Fake Blood; thanks to my guru who had shown me Fake Blood's killer remixes (Any Way You Choose To Give It, I Want Your Soul, Stuck On Repeat). I then showed my friends at school and we agreed to go see Fake Blood when he came to town. And unbelievably he was coming just a couple months later, with the biggest crew I've ever seen at Sound Academy; Aeroplane, Annie Mac, Boy 8-Bit, Calvin Harris, Fake Blood, Laidback Luke, Nero, Toddla T, and to top it off locals Zeds Dead and my boy Meech. Since it would be a waste to go only to see Fake Blood, I set out to familiarize myself with the rest of the lineup and the one that immediately caught my ear, was Boy 8-Bit. His combination of video game inspired sounds and progressive and playful electro style was everything I wanted in a producer. I was lucky enough to find a discography torrent, complete with a large number of mixes he had done for various radio shows. I was particularly enamored with the following video in which Annie Mac gives the first play to Boy 8-Bit's remix of La Roux, Quicksand.
Labels:
Aeroplane,
Annie Mac,
Boy 8-Bit,
Calvin Harris,
Fake Blood,
La Roux,
Laidback Luke,
Meech,
Nero,
Review,
Throwback Thursday,
Toddla T,
Zeds Dead
Friday, May 17, 2013
EFYE - May 17, 2013
Tracklist for show original air date: May 17, 2013 from 17:00 to 19:00.
- John Roman - Sala EP (Plant)
- War Drums cc
- Carnage - Signal (Spinnin)
- Signal (f New & Used)
- Major Lazer - Free The Universe (Mad Decent)
- Mashup The Dance (f Partysquad & Ward 21)
- DVBBS - We Are Electric f Simon Wilcox (Independent)
- We Are Electric (KNY Factory Remix) cc
- ^FREE DOWNLOAD OF THE WEEK^
- Clockwork - 30k Bootleg Pack (Independent)
- Be Aerodynamic (Daft Punk vs Loops Of Fury)
- ^MASHUP OF THE WEEK^
- Daniel Portman - Mantenido (Unreleased Digital)
- Mantenido
- Grandtheft & Smalltown DJs - Good People (T&A)
- Good People (XXXChange Remix) cc
- Charlie Darker - Savages (Independent)
- Savages cc
- Futurecop! - It's Forever, Kids (Cluster Sounds)
- Far Away
- A-Trak & Tommy Trash - Tuna Melt Remixes (Fool's Gold)
- Tuna Melt (Les Rythmes Digitales Remix) cc
- Katy B & Jacques Greene - Danger EP (Independent)
- Danger cc
- St. Lucia - September EP (Columbia)
- September (Alex Metric Remix)
Hour Two
- Madeon - The City (popcultur)
- Finale (Netsky Remix)
- Candyland & MakO - Bring The Rain EP (Spinnin)
- All You Gotta Do (f Maksim)
- vDUÆL FOR DANCEFLOOR DOMINANCEv
- Sub Focus - Endorphins EP f Alex Clare (Virgin/EMI)
- Endorphins (Sub Focus vs Fred V. & Grafix Remix)
- Keys N Krates - Treat Me Right (Independent)
- Treat Me Right (Thugli Remix) cc
- ^DUÆL FOR DANCEFLOOR DOMINANCE^
- vEFYE WIND UP & SHOUT OUTSv
- Mt. Eden - Sierra Leone Remixes f Freshly Ground (Ultra)
- Sierra Leone (Tommie Sunshine & Live City Remix)
- Bloody Beetroots - Spank Remixes f TAI & Bart B More (Ultra)
- Spank (GTA Remix)
- D.O.D. - More Cowbell EP (Ones To Watch)
- More Cowbell
- Nero - Great Gatsby Soundtrack (Interscope)
- Into The Past
- ^EFYE WIND UP & SHOUT OUTS^
- vCANADIAN CONTENT TRIPLE THREATv
- Nom De Strip - Clouds EP: Vol 1 (mau5trap)
- Clouds cc
- Nom De Strip & Bones - Shake & Bake/Yo! (Nitrus)
- Yo! cc
- Bonsai Kat - Plump DJs Present: Dirty Weekend (Grand Hotel)
- Ego Trippin (Nom De Strip Remix) cc
- ^CANADIAN CONTENT TRIPLE THREAT^
- Fake Blood - Deep Red (Southern Fried)
- Voices
Next show air date: May 24, 2013 5-7 PM
Friday, March 29, 2013
EFYE - One Year Anniversary Special: Hour One
Tracklist for show original air date: March 29, 2013 from 17:00 to 18:00.
- Netsky - 2 (Hospital)
- Come Alive
- A-Trak - Tuna Melt Remixes (Fool's Gold)
- Landline 2.0 (f GTA) cc
- TNGHT - TNGHT (Warp/LuckMe)
- Goooo cc
- RL Grime - Flood (Independent)
- Flood
- Thugli - What Happened (Independent)
- What Happened cc
- Flosstradamus - Total Recall (Mad Decent)
- Total Recall
- Above & Beyond - Sun & Moon f Richard Bedford (Independent)
- Sun & Moon (MiMOSA Remixxx)
- Skrillex & Damian Marley - Make It Bun Dem (Independent)
- Make It Bun Dem (MSD Remix)
- Hardwell - Spaceman (Independent)
- Spaceman (Carnage Festival Trap Remix)
- Major Lazer - Original Don (Independent)
- Original Don (Luminox Remix)
- Gent & Jawns - Turn Up (Independent)
- Turn Up
- Dillon Francis - Bootleg Fireworks (The Rebirth) (Independent)
- Bootleg Fireworks (The Rebirth)
- Nero - Won't You (Be There)[Remixes] (More Than Alot)
- Won't You (Be There) [Baauer Remix]
- Hermitude - HyperParadise (Elefant Traks)
- HyperParadise (Flume Remix)
- Torro Torro - Blue Blouse (T&A)
- Blue Blouse cc
Labels:
A-Trak,
Baauer,
Carnage,
CFBU 103.7,
Dillon Francis,
Flosstradamus,
Flume,
Gent + Jawns,
Luminox,
Major Lazer,
MiMOSA,
Nero,
Netsky,
Oggie James,
RL Grime,
Thugli,
TNGHT,
Torro Torro
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