I don't know about you, but I find my musical tastes change as we get deeper into summer. I almost lose all appetite for dark and dirty stuff (dub and trap), and skew more towards bright and warm beats (trance, house, disco funk, future bass, even nightcore). I don't want to be bombarded by bass, I just want my music to wash over me with ease. With that in mind, I find I gravitate more to longer, dance all day and night kind of tracks. Perhaps the best example of this is progressive house, the kind of epic stuff that lies on the borders of tech-house and trance.
One of my favourite artists in that arena is Sébastien Léger. I've written about him several times on this blog (see here) and most recently about his 4 track Clouds EP, here. Sébastien is a master of manipulation. When I saw him DJ in St. Catharines years ago, he had all four channels working, mixing back and forth magnificently. It's that kind of interplay and progression that makes his mix for When We Dip (below) so brilliant. That and of course the sublime track selection, with the likes of Retza, Doppel and Super Flu; not to mention his fantastic and yet forthcoming remix of Marst "Pluie Rouge."There are very few artists that leave me in awe the way Sébastien Léger does, whether it be his DJing skill, his production/songwriting skill, or even his skill with modular synths (check his youtube channel), the man is a musical genius. He's perhaps best enjoyed in the warmth of summer air, with a cool beverage in hand and friends at your side. Throw his mix or discography on, sit on a patio or go for a stroll and find yourself falling into the comforting arms of Sébastien's sounds.
FOLLOW SÉBASTIEN LÉGER: FACEBOOK SOUNDCLOUD TWITTER
The frenetic world of electronic music is full of distractions and diversions, hindering the ability to find transcendent music. Let Oggie James be your guru and lead down the path to musical Enlightenment. Album, song and event reviews, mixtapes, and radio shows, light the way to Enlightenment, conveyed by Oggie James.
Showing posts with label Clouds. Show all posts
Showing posts with label Clouds. Show all posts
Monday, June 12, 2017
Saturday, March 11, 2017
Sébastien Léger - Clouds EP
As usual, I was scrolling through my SoundCloud feed, but especially compared to yesterday, I couldn't find anything that turned my crank. It just seemed to be an endless sea of blah, overflowing with artists I either don't know or don't care about. That was until I came across truly one of my favourite artists, from both a DJing and production perspective, Parisian powerhouse Sébastien Léger. The man always works with awesome analog sounds, crafting some of the most creative and original pieces of music I've ever come across. His list of credits is seemingly endless, from ridiculously good remixes, to jaw-dropping originals. That list is about to grow a little bit longer as his four-track Clouds EP is set to be released this coming Friday, the 17th, on Marc Romboy's Systematic Recordings.
Because these are snippets, it takes no time at all to find yourself firmly ensconced in the groove Sébastien Léger has laid out. In fact, the first track, "Nostalgia," gets right into business screaming Séb's production style. It's incredibly well designed and so full of progression and movement. No note is left unpolished or unaccounted for, each placed with such precision. "Nostalgia," more than the following tracks, has a warm, easy feel. A kind of musical hammock swinging gently in the breeze.
"Brainwasher" on the other hand comes at you much more intensely. Directed more towards the club, it's still led by some sneakily groovy percussion, while the steely synth-lead torches all it comes into contact with. This one may be the best example of how seamlessly Séb invokes movement and progression. Especially with a track of this magnitude, he's able to dance around as nimbly as a sprite.
The title track, "Clouds," again sees a distinct production while still falling firmly in the legion of Léger. Like the other tracks, it too is named perfectly, each evoking its titular image brilliantly. However, these clouds aren't all air; they've got some substance with a touch of turbulence brewing. It's floaty, soaring at incredible heights, making it easy to drift away in a sonic euphoria.
Finally, the EP comes to a close with its most emotional and touching track, "Tears." Like the others before it, it's lofty in its high soaring arc, but it's the little blips and fills that make it such a sensational production. Imagine lying perfectly still in a dark room while listening to this on a good pair of headphones. There's no way it wouldn't trigger numerous emotions. It strikes me as innately aware of our humanity, able to play us like a fiddle. And that's the true magic of Sébastien Léger; he is so in tune with the technology he uses that it ceases to be a mere tool but rather an extension of himself. I, for one, am extremely excited to hear the EP, in full, upon its release.
FOLLOW SÉBASTIEN LÉGER: FACEBOOK SOUNDCLOUD TWITTER
Because these are snippets, it takes no time at all to find yourself firmly ensconced in the groove Sébastien Léger has laid out. In fact, the first track, "Nostalgia," gets right into business screaming Séb's production style. It's incredibly well designed and so full of progression and movement. No note is left unpolished or unaccounted for, each placed with such precision. "Nostalgia," more than the following tracks, has a warm, easy feel. A kind of musical hammock swinging gently in the breeze.
"Brainwasher" on the other hand comes at you much more intensely. Directed more towards the club, it's still led by some sneakily groovy percussion, while the steely synth-lead torches all it comes into contact with. This one may be the best example of how seamlessly Séb invokes movement and progression. Especially with a track of this magnitude, he's able to dance around as nimbly as a sprite.
The title track, "Clouds," again sees a distinct production while still falling firmly in the legion of Léger. Like the other tracks, it too is named perfectly, each evoking its titular image brilliantly. However, these clouds aren't all air; they've got some substance with a touch of turbulence brewing. It's floaty, soaring at incredible heights, making it easy to drift away in a sonic euphoria.
Finally, the EP comes to a close with its most emotional and touching track, "Tears." Like the others before it, it's lofty in its high soaring arc, but it's the little blips and fills that make it such a sensational production. Imagine lying perfectly still in a dark room while listening to this on a good pair of headphones. There's no way it wouldn't trigger numerous emotions. It strikes me as innately aware of our humanity, able to play us like a fiddle. And that's the true magic of Sébastien Léger; he is so in tune with the technology he uses that it ceases to be a mere tool but rather an extension of himself. I, for one, am extremely excited to hear the EP, in full, upon its release.
FOLLOW SÉBASTIEN LÉGER: FACEBOOK SOUNDCLOUD TWITTER
Thursday, May 05, 2016
Throwback Thursday: Aphex Twin - Flim
This installment in my Throwback Thursday series, takes us back to October 6, 1997; December 2, 2011; and January 24, 2012. After exploding onto the scene in late 2010, Skrillex infected thousands of young minds with the notion that electronic music was all about the drop. His ravenous fans were then incredibly disappointed with on the aforementioned December evening he left the following post on Facebook declaring Aphex Twin's "Flim" his favourite song of all-time.
Much to their dismay there is no drop to freak out to, and couldn't understand how their dubstep deity could enjoy such a shallow track (just take a look at some of the comments). It didn't take long for the parodies to start rolling in. The first, an easy punch pulled, by combining Skrillex's "Scary Monsters and Nice Sprites" with "Flim," with the quite literal title "Flim, for Skrillex Fans." And while some (not me), may find this as an improvement on the original, a better parody/remix could easily be made, as Aphex Twin's original provides so much to utilize. A week after the above mashup was unleashed on youtube, another far better effort followed. Clouds, the Glaswegian duo of "Liquid," "Numbers" and Turbo Recordings fame, were tasked with "correcting" the glaring lack of a drop, and came up with this albeit satirical yet still palatable remix.
No, I don't think it's as good as the original, but given that it's a tongue-in-cheek remix, I actually really enjoy it and applaud Clouds for having an impeccable sense of humour, while doing a commendable job incorporating the magic of the original. Whether or not this placated Skrillex's fans, I cannot say but I'm lead to believe that as one commenter said, if the remix were created by Skrillex it would have hundreds of thousands more views. I'm hopeful that many of the dissatisfied Skrillex fans will have grown to realize good music, and even good Skrillex, does not need a drop. After all, I don't think I'd be alone in saying that "With You Friends," "All I Ask Of You," and "Summit" are some of his best productions. Just try listening to "With Your Friends" with the knowledge that he wrote it within hours of his mother's death and keep the lyrics in mind; I highly doubt you'll ever be able to feel the same way about it again. It might be one of the most touching and heartfelt pieces of music in general, let alone electronic music. After that realization it should be clear why "Flim," resonates so much with the man behind Skrillex, Sonny Moore.
Friday, August 23, 2013
Early Influences Mix - Now Downloadable
This past Sunday I released a playlist I had kicking around my iTunes for nearly three years, in the form of a two hour mix. The "Early Influences Mix" is just that, it is a collage of some of my earliest loves from the world of EDM, created to imitate my favourite radio program and greatest influence BBC Radio 1's "Essential Mix." It ranges in styles from DNB, House, Tech-House, Dubstep, Trance, Bass and downright beautiful melodic tracks such as my favourite at the time, Erol Alkan's rework of Forever Dolphin Love.
This mix is the conflagration of all that influenced me into becoming more involved in the EDM world, and eventually pushed me into joining CFBU and becoming a radio DJ. I most certainly have changed immensely since this time as I would no longer be comfortable playing any Alesso track. The times have shown that he is not deserving of my respect (at least at the level of DJing, see his "faked" live sets). Nor would I feel comfortable playing many of Skrillex's tracks; although I do respect a certain number of his tracks, I find that because of his now worldwide success and fame, his productions have taken a downturn and people are too enamoured to think critically towards him. Apart from these few exceptions of artists I can no longer support, the rest of the artists, specifically Boy 8-Bit, Boys Noize, Erol Alkan, Gesaffelstein, Clouds, Tiga & ZZT, Alex Metric and the now sadly defunct Carte Blanche, I still continue to love and have immense respect for their productions and artistry.
Unfortunately or not I decided to stick with the original form of the playlist I created so long ago (which at the time I felt to be my "best of" or "Essential Mix") which resulted in perhaps some unfavourable transitions, and playing out of some tracks in their entirety for mere ease of mixing. I justified this quality of mixing through something that resonated with me that Alex Metric said in his essential mix in 2011 that it is music first, an "anything goes ethos...no genres, just good music." This is not to say that Alex's mix had poor transitions, as it is entirely the opposite, the emphasis ought to be on the artistry of the tracks and not myself, although I am showcasing myself through the tracks I chose. One such artist I could compare the transitions and mixing style to is that of Deadmau5 as he is no DJ, he is all producer; I do not think this is a slight towards the mau5, he too agrees that his role is that of producer and does not care for DJing. My thoughts are if Joel can get away with it I don't see why I cannot.
Regardless, this is truly my first attempt (from long ago) at creating an essential style mix and I intend to do more in the future as I am beginning to miss my weekly platform and the pile of new and great music continues to grow. Stay tuned to this page (as well as my twitter @OggieJames) for more information on upcoming mixes and more.
I now leave you with the link to my now DOWNLOADABLE "Early Influences Mix" and tracklist below:
https://www.dropbox.com/s/77z9miqbk68tv4x/Early%20Influences%20Mix.mp3?dl=0
ENJOY & KEEP THING PLURNT, LOVE OGGIE
1. More Than Parallax (Rynecologist Mix) -Bryan Ferry & Roxy Music vs Shadow Dancer
2. My Moon My Man (Boys Noize Remix) - Feist
3. Madrigal - Boy 8-Bit
4. Zzafrika (Gesaffelstein Remix) - ZZT
5. Jeffer - Boys Noize
6. I <3 U SO (Bowski Remix) - Cassius
7. Promiscuous Gyal - Dark Sky
8. Carl Lewis (Boy 8-Bit Dub) - Les Gillettes
9. Tonic - Russ Chimes
10. Bugle - Djedjotronic
11. Sucker - Clouds
12. Never Stop (Erol Alkan Rework) - Chilly Gonzales
13. Bronx Brooklyn Queens - Carte Blanche
14. Lemonade - Erol Alkan & Boys Noize
15. Black Satanic Mysticism - Boy 8-Bit
16. Armed 3 - Tommy Four Seven
17. Numbers - Clouds
18. Hatred - Gesaffelstein
19. Phase IV - Boy 8-Bit
20. Jookie - Foamo
21. Images (Les Gillettes Remix) - Norman Palm
22. With You (f Alexis Taylor) - Carte Blanche
23. Fire Extinguisher - Boy 8-Bit
24. Rapture (Tristan Garner Elevation Remix) - Nadia Ali
25. Zzafrika (Sound Of Stereo Remix) - ZZT
26. Hold On (f Amber Coffman)[Sub Focus Remix] - Rusko
27. The Disco Rangers Bus (Knows How To Rock N Roll) - Skrillex
28. All Alone (Alex Metric Remix) - Splittr
29. Heiress Of Valentina (Alesso Remix) - Dune
30. I Can Change (Tiga Remix) - LCD Soundsystem
31. Keep Up With You (Lifelike Remix) - Teenage Bad Girl
32. Sun & Moon (f Richard Bedford)[Club Mix] - Above & Beyond
33. Forever Dolphin Love (Erol Alkan Rework) - Connan Mockasin
34. Black Sky - Infadels
This mix is the conflagration of all that influenced me into becoming more involved in the EDM world, and eventually pushed me into joining CFBU and becoming a radio DJ. I most certainly have changed immensely since this time as I would no longer be comfortable playing any Alesso track. The times have shown that he is not deserving of my respect (at least at the level of DJing, see his "faked" live sets). Nor would I feel comfortable playing many of Skrillex's tracks; although I do respect a certain number of his tracks, I find that because of his now worldwide success and fame, his productions have taken a downturn and people are too enamoured to think critically towards him. Apart from these few exceptions of artists I can no longer support, the rest of the artists, specifically Boy 8-Bit, Boys Noize, Erol Alkan, Gesaffelstein, Clouds, Tiga & ZZT, Alex Metric and the now sadly defunct Carte Blanche, I still continue to love and have immense respect for their productions and artistry.
Unfortunately or not I decided to stick with the original form of the playlist I created so long ago (which at the time I felt to be my "best of" or "Essential Mix") which resulted in perhaps some unfavourable transitions, and playing out of some tracks in their entirety for mere ease of mixing. I justified this quality of mixing through something that resonated with me that Alex Metric said in his essential mix in 2011 that it is music first, an "anything goes ethos...no genres, just good music." This is not to say that Alex's mix had poor transitions, as it is entirely the opposite, the emphasis ought to be on the artistry of the tracks and not myself, although I am showcasing myself through the tracks I chose. One such artist I could compare the transitions and mixing style to is that of Deadmau5 as he is no DJ, he is all producer; I do not think this is a slight towards the mau5, he too agrees that his role is that of producer and does not care for DJing. My thoughts are if Joel can get away with it I don't see why I cannot.
Regardless, this is truly my first attempt (from long ago) at creating an essential style mix and I intend to do more in the future as I am beginning to miss my weekly platform and the pile of new and great music continues to grow. Stay tuned to this page (as well as my twitter @OggieJames) for more information on upcoming mixes and more.
I now leave you with the link to my now DOWNLOADABLE "Early Influences Mix" and tracklist below:
https://www.dropbox.com/s/77z9miqbk68tv4x/Early%20Influences%20Mix.mp3?dl=0
ENJOY & KEEP THING PLURNT, LOVE OGGIE
1. More Than Parallax (Rynecologist Mix) -Bryan Ferry & Roxy Music vs Shadow Dancer
2. My Moon My Man (Boys Noize Remix) - Feist
3. Madrigal - Boy 8-Bit
4. Zzafrika (Gesaffelstein Remix) - ZZT
5. Jeffer - Boys Noize
6. I <3 U SO (Bowski Remix) - Cassius
7. Promiscuous Gyal - Dark Sky
8. Carl Lewis (Boy 8-Bit Dub) - Les Gillettes
9. Tonic - Russ Chimes
10. Bugle - Djedjotronic
11. Sucker - Clouds
12. Never Stop (Erol Alkan Rework) - Chilly Gonzales
13. Bronx Brooklyn Queens - Carte Blanche
14. Lemonade - Erol Alkan & Boys Noize
15. Black Satanic Mysticism - Boy 8-Bit
16. Armed 3 - Tommy Four Seven
17. Numbers - Clouds
18. Hatred - Gesaffelstein
19. Phase IV - Boy 8-Bit
20. Jookie - Foamo
21. Images (Les Gillettes Remix) - Norman Palm
22. With You (f Alexis Taylor) - Carte Blanche
23. Fire Extinguisher - Boy 8-Bit
24. Rapture (Tristan Garner Elevation Remix) - Nadia Ali
25. Zzafrika (Sound Of Stereo Remix) - ZZT
26. Hold On (f Amber Coffman)[Sub Focus Remix] - Rusko
27. The Disco Rangers Bus (Knows How To Rock N Roll) - Skrillex
28. All Alone (Alex Metric Remix) - Splittr
29. Heiress Of Valentina (Alesso Remix) - Dune
30. I Can Change (Tiga Remix) - LCD Soundsystem
31. Keep Up With You (Lifelike Remix) - Teenage Bad Girl
32. Sun & Moon (f Richard Bedford)[Club Mix] - Above & Beyond
33. Forever Dolphin Love (Erol Alkan Rework) - Connan Mockasin
34. Black Sky - Infadels
Labels:
Alesso,
Alex Metric,
Boy 8-Bit,
Boys Noize,
Carte Blanche,
Clouds,
Deadmau5,
Erol Alkan,
Essential Mix,
Gesaffelstein,
Mixtape,
Oggie James,
Skrillex,
Tiga,
ZZT
Friday, November 23, 2012
EFYE - Nov. 23, 2012
Tracklist for show original air date: Nov. 23, 2012 from 18:00 to 19:00.
- Jack Beats - All Night (Cheap Thrills)
- All Night f John B
- Light Year - 5 Girls (Bang Gang)
- PSA
- Totally Enormous Extinct Dinosaurs - Trouble (Independent)
- Trouble (Lunice Remix) cc
- Of Monsters And Men - King & Lionheart (Independent)
- King & Lionheart (Dzeko & Torres Streesh Bootleg) cc
- Crystal Castles - III (Fiction/Polydor)
- Transgender cc
- Botnek - Sriracha & Beer (Dim Mak)
- Think I Feel It cc
- Clouds - Liquid/Mauful Sir (Blood Music)
- Liquid
- Les Gillettes - Carl Lewis (New Judas)
- Carl Lewis (Boy 8-Bit Remix)
- Hatiras, Nom De Strip - The Nothing (Hatrax)
- The Nothing cc
- Clockwork - Squad Up EP (Dim Mak)
- Squad Up (Torro Torro Remix) cc
- Fake Blood - Cells (Different)
- Let It Go
- Baauer - Atlantics Vol. 2 (Astro Nautico)
- My Head
- Sub Focus - Tidal Wave f Alpines (Mercury)
- Tidal Wave (Flosstradamus Remix)
- Netsky - 2 Deluxe (Hospital)
- Wanna Die For You f Diane Charlemagne (Metrik & Netsky Remix)
- Ellie Goulding - Anything Could Happen (Polydor)
- Hanging On (Sigma Remix)
Next show air date: Nov. 30, 2012 6-7 PM
Friday, October 26, 2012
EFYE - Oct. 26, 2012
Tracklist for show original air date: Oct. 26, 2012 from 18:00 to 19:00.
- Jokers Of The Scene - Killing Joke (Independent)
- Killing Joke (Mickey Moonlight Remix) cc
- John Roman - Monitor (Bad Life)
- Fragments cc
- Ron Hardy - Erol Alkan: Another "Bugged Out" Mix (K7)
- Sensation (Obi Blanche Edit)
- Jacques Greene - Ready EP (3024)
- Ready cc
- Project 46 - Limitless (Monstercat)
- Limitless cc
- Nom De Strip & Hot Mouth - Wear The Trousers (Independent)
- Wear The Trousers cc
- Murlo - Wineyard EP (Independent)
- At The Knees
- Boy 8-Bit - Madrigal (This Is Music)
- Phase IV
- Netsky - 2 (Hospital)
- Wanna Die For You (f Diane Charlemagne)
- Aphex Twin - Flim (Independent)
- Flim (Clouds' Flim-sy Premise Remix)
- Flosstradamus - Fool's Gold Clubhouse Vol 2 (Fool's Gold)
- Roll Up (Baauer Remix)
- TAI - Lose Yourself (Independent)
- Lose Yourself (Craig Williams Remix)
- Tiger Stripes - Wax Motif & Neoteric Pres. Strictly Rhythm Vol 9 (Strictly Rhythm)
- Snake Charmer (Botnek Remix) cc
- Diplo - Express Yourself (Mad Decent)
- Express Yourself (f Nicky Da B)
- Lady Sovereign - Jigsaw (Love-Da-Records)
- I Got You Dancing (Jack Beats Remix)
Next show air date: Nov. 2, 2012 6-7 PM
Friday, September 28, 2012
EFYE September 28, 2012
Tracklist for show original air date: Sept. 28, 2012 from 18:00 to 19:00.
- Louis La Roche - Los Angeles (Independent)
- Los Angeles (Louis DP Edit)
- Don Diablo f Dragonette - Animale (Sellout Sessions)
- Animale (The Prototypes Remix) cc
- Deadmau5 - Strobe (Independent)
- Strobe (Special Features Remix) cc
- John Roman - Petrified EP (Turbo)
- Chimaera cc
- Nero - Won't You [Be There] (More Than Alot)
- Won't You (Be There)
- Gonzales - Never Stop (Phantasy)
- Never Stop (Erol Alkan Remix) cc
- Clouds - Numbers (Turbo)
- Sucker
- Light Year - Night / Vision (Bang Gang)
- Sex Education
- Nom De Strip - Big Knobbler (Rising)
- Suplex cc
- Steve Aoki, Tiesto - Tornado EP (Dim Mak)
- Tornado (Felix Cartal Remix) cc
- Clockwork - It's You Again (Hot Creations)
- It's You Again
- ShazaLaKazoo & Chernobyl f Suppa Fla- Zica Memo (Downpitch)
- Zica Memo (Gregor Salto Remix)
- Baauer - Dum Dum (LuckyMe)
- Dum Dum
- The Black Ghosts - Anyway You Choose To Give It (Southern Fried)
- Anyway You Choose To Give It (Boy 8-Bit Remix)
- Fake Blood - Yes / No (Different)
- End Of Days
Next show air date: Oct. 5, 2012 6-7 PM
Labels:
Baauer,
Boy 8-Bit,
CFBU 103.7,
Clockwork,
Clouds,
Erol Alkan,
Fake Blood,
John Roman,
Light Year,
Louis La Roche,
Nero,
Nom De Strip,
Oggie James,
Prototypes
Friday, July 13, 2012
EFYE - July 13, 2012
Tracklist for show original air date: July 13, 2012 from 18:00 to 19:00.
- Tyree Cooper & Denis Naidanow - Wonderland (Sureplayer)
- Wonderland
- Chromeo - Hot Mess Remixes (Turbo)
- Hot Mess (Djedjotronic Remix 2) cc
- Felix Cartal - Black To White + Remixes (Dim Mak)
- Black To White (Clockwork Remix) cc
- Light Year - Moderation (Bang Gang)
- Reversion
- Noob - Crumble EP (Form)
- Wild
- Caribou - Sun (Independent)
- Sun (Bowski Remix) cc
- Feist - Oi Oi Oi (BNR)
- My Moon, My Man (Boys Noize Remix) cc
- Autoerotique - Bring That Beat Back (Musical Freedom)
- Bring That Beat Back (Tiesto Edit) cc
- Sway - Level Up (3Beat)
- Level Up (Fake Blood Remix)
- Duke Dumont - For Club Play Only Pt. 1 (Turbo)
- Street Walker
- Rusko - Hold On (Downtown)
- Hold On featuring Amber Coffman (Sub Focus Remix)
- Clouds - Optic (Turbo)
- Vaults
- Squarepusher - Ufabulum (Warp)
- Energy Wizard
- Kris Menace, Joe & Will Ask? - Dewdrops (Compuphonic)
- Dewdrops
- Nom De Strip & Bones - Shake & Bake / Yo! (Nitrus)
- Yo! cc
Next show air date: July 20, 2012 6-7 PM
Wednesday, March 21, 2012
Hiatus
The program is currently on a brief hiatus for two reasons; one, while it seeks official status at CFBU, and two, because the station and it's volunteers are busy with the student union's referendum. Once it does achieve official status, the show will permanently move to Friday evenings from 6-7. Host, Oggie James will be able to play a much wider range of music to enlighten your ears. The show will heavily feature new and classic tracks from the following artists: Boy 8-Bit, The 2 Bears, Tiga, Fake Blood, A-Trak, Felix Cartal, Skream, Netsky, Booka Shade, Bowski, Azari & III, Nero, Sebastien Leger, Gesaffelstein, Brodinski, Foamo, Jacques Greene, The Prototypes, Rynecologist, Tommy Trash, Jack Beats, SBTRKT, Clouds, NT89, Jokers Of The Scene, Style Of Eye, Alex Metric, Boys Noize, Erol Alkan, Benga, Skrillex and many more.
We will update you on any updates we get concerning the show's status.
Labels:
A-Trak,
Boy 8-Bit,
Boys Noize,
Brodinski,
CFBU 103.7,
Clouds,
Fake Blood,
Gesaffelstein,
Jack Beats,
Jacques Greene,
NT89,
Oggie James,
Rynecologist,
Sebastien Leger,
Skream,
Skrillex,
Tiga
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