Showing posts with label Junos. Show all posts
Showing posts with label Junos. Show all posts

Wednesday, February 07, 2018

Bump In The Hump Sneak Peek: Juno Nominees

Yesterday the Junos announced their list of nominees (here) and while there's some names we're familiar with on Bump In The Hump, there's a number of unknown surprises. In fact in the category above, Dance Recording of the Year, none of the tracks have appeared on any iteration of Bump In The Hump. So today I remedy that by bringing each to the airwaves, breaking up the two hours with a showcase in the middle. Of course the Junos also announced the Electronic Album of the Year, three of which have been heavily supported here. Check them out below (linked for your listening pleasure).


Juno nominations aside, tonight's episode will still bring the best new music from across the country, including a crazy combination of the fire finale/weekend warmup looking ahead to Benny Benassi, Chuckie, and Wax Motif all playing Saturday night. There's also a long list of artist debuts to go with an onslaught of the old guard. Trance, disco, house, future bass, trap; we've got it all. Catch Bump In The Hump live from 7-9 PM EST on Radio Humber and after the fact via Mixcloud, here.



Thursday, August 31, 2017

2017's Inaugural Electronic Music Awards (Preview)

I've written about the Grammys and Junos before, focusing on their electronic categories, but always lament the lack of coverage they get, as both opt to announce those winners on their side shows. I've since wondered whether we should care about these award shows at all, since they so often leave a bad taste in our mouths (fans and artists alike). Everyone one knows about the DJ Mag Top 100 lists and the controversies they entail, particularly the so called "DJ" list that in the end is a popularity contest among producers, not DJs. Perhaps as a protest, two new award shows have arisen: The Goldie Awards (backed by A-Trak and THUMP, focusing on DJ and Beat Battles) and The Electronic Music Awards (backed by Paul Oakenfold and TV4, showcasing all that is electronic music). For the purposes of this post, I'll focus on the latter as the anticipation grows in the 3 weeks prior to the event.

Originally announced in January of 2016, as the Electronic Music Awards and Foundation Show, and set for broadcast on FOX, this seemed as large and legitimate as anyone could possibly hope. However in the following months the event was postponed for more than a year, renamed and relegated to a Twitter broadcast. The previously 7 categories have grown to 11, and the winners will be announced live September 21st starting at 7:47 PM PDT. So now let's take a look at those categories and their nominees. Note that I won't be making predictions today, but merely digging into the categories and nominations themselves. See the image below or find the direct link to the noms here.
As you can plainly see, the list of names here is absolutely packed with powerhouse producers, deserving DJs, and awesome artists. The organizers have done a good job of separating categories from Producer of the Year to DJ of the Year, and Live Act of the Year. However I wonder about the New Artist of the Year category, as arguably every act has been big since early 2016, if not before then. But since this is the first edition, I'll give them a little leeway in what new means.

Looking through this list it's clear that the same people who would argue that award shows are mainstream, could easily make that argument again here. There are no names that I'm unfamiliar with. It's absolutely jam packed with big names, but at least to their credit those big names come from all over the place. It's not just top 40 radio wannabes or techno titans. There's deep house, hip hop, electro and of course, what continues to be the style of the moment, future bass.

As always I wonder about how these names were chosen, and further how the winners will be decided. The official statement is that "nominees and winners are voted on by sixty-seven members who were selected to represent all aspects of the electronic music community, in a two-round voting process." But who selected these members? And how well are they balanced? Now, I don't mean to claim that there's collusion or foul play, I just always advocate for more transparency. And no matter what people will bitch and moan about this or that. The positive (and value of any award show) is to showcase worthy talent. Sure you can claim that some of these artists need no more showcasing, but their impact is undeniable, and ought to be recognized as such. Now back to those categories.

Tuesday, February 07, 2017

2017 Juno Nominees

It's that time of year again, and the Junos (Canada's Music Awards) have released their list of nominees. As per usual I'll break down the categories relevant to this blog: Dance Recording of the Year and Electronic Album of the Year. As a reminder last years winners were: Keys N Krates for "Save Me" with Katy B, and Pomo for The Other Day. Now to this years nominees...

Note: As with my Grammys post (here) I'll give my two cents, write-in a nominee, and place bets on who should win from those nominations and who will actually win, but as usual, I'm probably wrong.


At first glance this is a formidable and worthy list of nominees, but upon closer inspection one of these is not like the others. Zeds Dead Northern Lights is not a track, it's an album, and that's not what this category is. It's meant to be a single recording. Ironically this isn't the first time the Junos have made a mistake with this category. Just last year they nominated Kaytranada's "At All" only to eventually discover that it was released outside the eligibility period.

I wondered if this was perhaps just a typo on this image, but after checking their website (here) it confirms the mistaken nomination. All of this isn't to say Zeds Dead are not deserving of a nomination, as tracks like "Too Young," "Stardust" or "Blame" could easily fill that spot. But enough of the Junos' error and onto the four obvious inclusions.

It's hard to believe that Delaney Jane is just getting her first Juno nod, since she seems to be on just about every chart topper in the past two plus years. But I guess it's fitting that she breaks through with "Limitless" as that's just what her career trajectory is. I'm so excited that both Bit Funk and Jacques Greene are on this shortlist, as I've been a fan of both for quite sometime. While Bit Funk's track is more typical of popular dance music at the movement, with its bouncy deep house vibes, Jacques Greene's is atypical, making it a genius return to the scene after months of silence. The heart palpitations I get whenever I hear "You Can't Deny" is what makes this my pick for winner. Last but not least, is Shaun Frank's latest in a long list of hits "Let You Get Away." This may be the most obvious nod, as Frank has quickly become one of the most trusted and widely respected producers in the world, crafting not just his own bangers, but working with The Chainsmokers among others. Whether it be "Let You Get Away," "La La Land" or "Heaven" you had to know Shaun Frank was going to make this list.

Who Should Win: Jacques Greene
Who Will Win: Shaun Frank
My Write-In Nomination: Pusher - Clear (ft. Mothica)

Between the obvious cultural importance and undeniable quality of A Tribe Called Red's album, this was a lock to be included. The long list of collaborators only further propel the trio's unique sound and style into an unparalleled piece of art. As Joseph Boyden says in "Before," "You guys got pull, you do. People listen to you, you know they do." We Are The Halluci Nation certainly puts A Tribe Called Red on the forefront. Bob Moses, who are also nominated for Breakthrough Group of the Year, absolutely stormed onto the stage. Days Gone By received a slew of scary good remixes, but none of that would've been possible without their thoughtfully crafted original productions. As soon as I heard Harrison's Checkpoint Titanium I was blown away, even though it's nothing like his early chiptune tracks that I first fell for. It's a cohesive collection of thought-provoking productions, with an awesome set of collaborators, from Ryan Hemsworth to Clairmont The Second and Allie. Holy Fuck's triumphant return Congrats, their first release since 2010, is everything you've come to love about their furious style, only more omni-directional. It shows off their production prowess and contrasting wild/refined sides. Then of course comes the heavyweight of the category, Kaytranda's criticcally renowned album 99.9%. Already taking home the coveted Polaris Music Prize, it has to be the favourite to win, and deservingly so, it truly is an awe inspiring work of art.

Who Should Win: Kaytranada
Who Will Win: A Tribe Called Red
My Write-In Nomination: Zeds Dead - Northern Lights

The Junos take place April 1st and 2nd in Ottawa at the Canadian Tire Centre, watch them on CTV.

Wednesday, February 03, 2016

Bump In The Hump Sneak Peek: Juno Nominees

Tonight on Bump In The Hump I'll be celebrating yesterdays Juno nominees for Dance Recording of The Year, playing all five of the tremendously deserving nominees. I can't remember the last time the Junos, or any awards ceremony, nailed a category full of exemplary nominees, each and every one. Hear the nominees and more of the best new Canadian music, live 6-7 EST, later on mixcloud, or Friday on 96.9 FM Radio Humber. I'll be looking back at Black Tiger Sex Machine, Apashe & Dabin's show and looking forward to Rezz & Cosella joining Destructo and Justin Martin Friday night.