Top 100 Tracks Of 2020: 25-1

The conclusion of the list started Monday from 100-76, which also includes my disclaimer/preamble. The middle sections can be found here: from 75-51 & 50-26. Find Soundcloud playlist here and Spotify here.

#25: London Grammar - Baby It's You (Kölsch Version) [Extended]

When I first saw that Kölsch had remixed London Grammar, this was what I was expecting. Instead, I saw a tight four-minute affair, that while good enough to make a list like this, felt entirely underwhelming. Glorious and gargantuan, this is the perfect track to take us into our final tier. It showcases both Hannah Reid's vocals and the original instrumental beautifully while extrapolating on their excellence. As with so much of London Grammar's catalogue, it is best when given time and space to breathe. It's stunning in its simple beauty, standing resolute against the abyss. A tempered touch from Kölsch, this is a masterpiece and yet another example of the power of the extended mix.

#24: Edu Imbernon ft. Mordem - Underwater Breathtaking (Innellea Remix)

While not technically an Afterlife release, I first encountered this epic in a mix of theirs. It's got everything I want from a track like this: big dramatic movement, spellbinding synths, killer sound design and a riveting vocal to tie it all together. The massive movement throughout this seven-minute affair is all too enthralling. Innellea immediately grabs you by the hand and pulls you into his underwater inferno, brandishing you with his scalding sorcery and abysmal black art. It is another one of those epics whose infectiousness leaves you powerless to its unearthly energy and uncanny charm. Just tell me you don't get swept away by those synths...

#23: Armand Van Helden & Riva Starr - Step It Up (ft. Sharlene Hector)

While there are still house tracks left in this countdown, this is without question one of the greatest iterations of the foundational genre. It reminds listeners of the two producers' legendary statuses, especially as every element in it tickles the senses. The piano, the strings, the diverse drums, the vocals, the bevy of effects; they all combine in crazy infectious fashion, each sparkling and gold-plated. It really is a diamond-clad delivery that hits on every single note. It's no game-changer, it's just a gloriously good time, especially as we're wowed by the barking vocal chops.

Top 100 Tracks Of 2020: 50-26

Continuation of the list started Monday from 100-76, which includes my disclaimer/preamble. The second quarter of the list can be found here: from 75-51. Find Soundcloud playlist here and Spotify here.

#50: Apashe - Dead (ft. Yizzy)/Rain (ft. Kroy)
In a bit of a cop-out, I've combined two Apashe tracks to save me from picking just one. I feel justified in this act because Apashe did the same himself as part of his live performance of Renaissance (see here). Fitting together perfectly, "Dead" and "Rain" showcase the kind of killer orchestral and cinematic quality that makes Renaissance such a stunning success. Teeming with drama, these are both momentous tracks that make masterful use of their unique vocal features. And while awesome on their own, as is each track in Renaissance, they are better together.

#49: Tensnake ft. Fiora - Automatic (Extended Mix)

I swear, if The Pointers Sisters were to release "Automatic" today, it'd assuredly be part of all year-end lists. The quality with which Tensnake is working is obvious, but he and Fiora have done a brilliant job with this faithful, funky house cover. While it doesn't have quite the same life as the original, this succeeds through its moody, rolling groove and reliable dancefloor delivery.

#48: Mathame - For Every Forever

One of my favourite Afterlife tracks. Tender, touching techno that warms the cockles of your heart. In fact, it clearly has a heart and soul, something rare in techno. While the eyes and ears are drawn to the bright sparkling top notes, the importance of the subtle strength of the strings and the deep foundation of the drums cannot be understated. Majestic and monumental.

#47: John Rolodex - Interdimensional Espionage

There aren't many more cool creations in this list. DnB is both inherently cool and undeniably in vogue, but the use of a standing bass and an organ is just so stylish. Befitting of its name, the shadowy underworld imagery is rife. It sounds as though it were the theme for a show called Galactic Gumshoe. But beyond the impeccable aura, Rolodex reminds us of his legendary status with a clinic on DnB delivery.

#46: Alfa Romero - Claim Your Love

I still go back and forth on which is my favourite cut from the epic Unity compilation, but most times I end up here. A story I want to be told over and over again, there's just something so beautiful and inviting about Alfa Romero's rollout. It cradles you in its strident synths, swaddling you with its warmth and resplendence. Even though it waivers throughout its sensuous serenade, it strikes me as confident and calm, setting sail for the unknown. Just like Mathame above, and so many other Afterlife tracks, this succeeds in showcasing the soul in a techno record.

#45: 45 Roller - Rain

A bit of a cheeky inclusion here as 45 Roller takes the 45th spot. It just goes to show how arbitrary a list like this is. That said, these are all good tracks, equally worthy of our praise and attention. As I said when I first wrote about this in August, Shy FX keeps the soul of the original sample which gives the whole track an incredible, organic feel. Much like the actual rain and the vinyl crackle, each element in Shy FX's bag of tricks is used to fantastic effect, keeping the track tight and full of feeling.

Top 100 Tracks Of 2020: 75-51

Continuation of the list started yesterday from 100-76, which also includes my disclaimer/preamble. Find Soundcloud playlist here and Spotify here.

#75: Aluna - Body Pump (Sammy Virji Remix)

The more I think about this, the more I realize this is likely my favourite use of Aluna vocals. Her incredible versatility and dynamism work wonders on this ridiculously groovy bed. The track rolls on wonderfully throughout, but the real win comes in the final minute and a half as Aluna and Sammy really let loose. The former feeding her inner diva and the latter letting the brass bustle.

#74: Polaris - Distant

Much like "Kessel Run" in last year's list, Polaris stays stellar with rapturous piano and scintillating percussion. A blinding rush through star systems, this is as dreamy and divine as any of the tracks in this list - the first of many DnB tracks to crack the Top 100.

#73: Lifelike & Kris Menace - Discopolis 2.0 (Youngr Funkapolis Bootleg)

The way Youngr brings out the best of the classics he flips is simply stunning. Laying down a sick new drum bed is just the start as the guitars eventually guide the Lifelike & Kris Menace creation to funky new heights. It hits on all cylinders, never compromising the quality of the original while adding an awesome new spin and lush life.

#72: Caribou - Never Come Back (Four Tet Remix)

The quality of the original is forefront in this mix and maybe in a year in which clubs aren't closed, it supersedes the original. However, any chance at properly enjoying this in an all too crowded and sweaty club was foiled. That said, Four Tet has not disappointed with this dynamic and driving delivery. Its energy is utterly infectious and its breakdowns truly breathtaking. It's as if the original were bitten by a werewolf and this remix is its transformation.