Another Friday, another massive day of releases, and another edition of Enlightened Listening. Booka Shade and Chromeo continue to bring brilliant remixes to light, Sparkee drops his Technically Impossible EP, Fraudulent Records share their second release and Skrillex returns with a classic remix. All this and more in the playlist below with descriptions at the bottom. Note free downloads via asterisk.
Booka Shade - Night Surfing (Booka Shade Rework)
The cool flowing grooves of the original become even more smooth and hypnotizing, as though upgrading from VHS to Blu-ray. Sublime swells that are sure to satisfy dance-floors and ears alike.
DAAV & Relique - In My Head*
While bass, deep and g-house are all on the rise, the vast majority of it is safe, unadventurous and all too close to tech house. This collab brings back the wild, animalistic energy that its been missing.
Sparkee - Play That Music
More free form and playful than his PINEO & LOEB collab, this could easily be confused as a Chromeo production, although keen observers will note Sparkee's inimitable bass work. The whole EP is absolutely fantastic, but because of the solos, this is the track that most caught my attention.
Aeroplane - Body (ft. Yves Paquet)
With more and more disco (and disco-adjacent) records being released these days one could become overwhelmed, however this track's effortlessness and light-flowing luminosity set it apart from the rest.
Pendulum - The Island, Pt. 1 (Dawn) [Skrillex Remix]
The first Skrillex release in what seems like forever. In true form it is immaculately designed, and necessarily so as this is a classic track. It might not be as ground breaking as some of his earlier work, but there's no denying the strength of this warm reconstruction. Expect to hear this a lot this summer.
Chromeo ft. DRAM & Jesse Johnson - Must've Been (Yolanda Be Cool Remix)
Yet another delightfully delicious and dance-worthy remix of this DRAM led track. Somehow this is able to lay claim to both the most banging and groovy of the bunch. THE ALBUM IS OUT NEXT WEEK!
Louis The Child ft. Wafia - Better Not (Attlas Remix)
The stage Attlas sets is an incredible one. It shimmers serene, while leaving room for Wafia to sing on top. And again this is where Attlas' genius comes through. His always resplendent productions bring life to each note, allowing the story to be told through the instrumental elements.
Mija - Falling ApART (Again) [Kill Paris Remix]
There's some kind of sneaky beauty not just in Mija's lyrics but the distressed and deep diving chords. The dynamics, especially the solo'd sounds and empty spaces are brilliantly bewitching. Gulp.
DLMT & Vanrip - The Light (ft. Deverano)
Opposing the title of the track this one is heavy, at least in the bass, which goes deep. Wobbly and warped, this delivery is an absolute delight, especially as Deverano's voice gets a genius call and response/echo effect with the vocal chops. Another undeniable summer sensation.
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Showing posts with label Kill Paris. Show all posts
Showing posts with label Kill Paris. Show all posts
Friday, June 08, 2018
Tuesday, October 17, 2017
San Holo & James Vincent McMorrow - The Future (Kill Paris Remix)
After already garnering 13 remixes, San Holo's collab with James Vincent McMorrow "The Future" just got one more. Uploaded by bitbird, it seems Kill Paris' remix is also official despite not making it onto the epic package. Its quality makes me think that Kill Paris took his time perfecting the production, thus missing the deadline, but regardless if you can handle just one more remix, give it a spin below.After briefly going by Chill Harris (following the attacks on Paris Nov. 2015), it's this moniker that really describes the sounds of "The Future" perfectly. While production-wise Corey Baker has always been chill, with his laid back, soaring melodies, this remix really exemplifies that funky, feels driven pop proclivity. He's taken the visionary vocals and wrapped them around somber yet sunny synths and oh so shiny steel rhythms. Even further proliferating "The Future" his vocal chops are just that, stylish and state-of-the-art (examples at :44 and 2:22). Re-purposing vocals in this manner is exactly what drew me to future bass in the beginning, and what is so astonishingly absent from so much of the uninspired, copycat stuff that seems omnipresent at the moment. Add to Kill Paris' vivacious vocal chops, some delightful diversions in slapping snares and biting bass, and you've got yourself a radiant remix.
FOLLOW KILL PARIS: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW SAN HOLO: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW JAMES VINCENT MCMORROW: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW KILL PARIS: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW SAN HOLO: FACEBOOK SOUNDCLOUD TWITTER
FOLLOW JAMES VINCENT MCMORROW: FACEBOOK SOUNDCLOUD TWITTER
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