Starting today through Friday, I'll be revealing my list of the top 100 tracks of 2016. The following is my disclaimer, as I feel it's important to preface this list with my methodology. I thought long and hard about this list, what and who I should include, where each track should fall, and how to go about doing that. Should I include multiple tracks from one artist? Am I trying to make a point/statement with my placement of each track? How do I deal with the recency bias, and the counter-effect of that on older tracks? The reality is, this blog is mine and mine alone. It is one man's opinions and despite my claims, that these are the "top" or "best" tracks, they are more truthfully my favourite, and what I believe to be tracks/artists that deserve further praise. I did not conduct any surveys, base the ranking on plays or popularity, but rather I went with my heart.
As you'll see I did include multiple tracks from my favourite artists, as they are, at least in my mind, deserving. You'll also notice a hell of a lot of future bass tracks, as is only appropriate for 2016. I also tried to include a variety of other genres, but it will be clear what my tastes, and therefore favourite genres are. However, I certainly feel like this list ended up hosting very little "club" music, despite spending countless hour of 2016 in the clubs. That being said there are dozens of worthy tracks that I either forgot or excluded. Finally, I'll be posting a soundcloud playlist at the bottom of each post, as best I can, assuming each track is still online. So here we go with the first 34 tracks.
#100: Photay - Trophy
(As featured on EFYE) I had to choose one track from Photay's Sadie EP and as I wrote previously, "Trophy" is bold and beautiful. It's the kind of experimental track that I cannot place into a single genre, save for the catch all category of 2016, future bass. The synth work is brilliant and full of feels. And as you'll see, the progression and movement it boasts is the key to many of the tracks on this list.
#99: Cowboy Rhythmbox - Mécanique Sauvage
This techno joint takes be back to the days when the likes of Gesaffelstein, Justice and the classic Boys Noize and Erol Alkan's collabs dominated my playlists, so it's fitting that it was released on Phantasy Sound. The genius of "Mécanique Sauvage" is its raw hammering style, contrasted beautifully by subtle tweaks and progression. This would absolutely destroy a club.
#98: Terror Danjah - All I Need (ft. Dot Rotten)
I got scared for a second when I saw that this song was on soundcloud 3 years ago! However, it still qualifies for this list as it was only released in August of this year. This is one of the deeper more beautiful tracks on this list. Terror lays down a brilliant beat and Dot displays his vocal prowess in more ways that one. His flow is fire and his words will have you wiping away tears.
#97: Bob Moses - Like It Or Not (Joris Voorn Remix)
(As featured on EFYE) Of the Bob Moses remixes that could have fallen on this list, I decided to go with the Voorn version because of its truly epic nature. The journey Joris takes us on is absolutely breathtaking, it gives the feeling of flying with its soaring synths. At the same time it dives to an unknown abyss, with its dark, almost alarming, bass throbs. Buckle up for the brilliance of Joris Voorn.
#96: Solid Groove & Sinden - Din Da Da (Yolanda Be Cool Re-Jiggle)
This is another one of those tracks that take me back to the "good old days," specifically 2006/7 when the original was first released. I first heard this when RYME played it this summer, ushering in one of my most stanky, screw faces. On a proper system you'll be making the same oo's and ah's as the vocalist, thanks to the nonstop bouncy bass. This is a confirmed club killer.
#95: FrankJavCee - Pop Song (ft. Marionismagical)
(As featured on EFYE) I couldn't do this list without including this brilliant indictment of pop music, as you'll see there aren't many, if any, pop songs on this list. Not that there's anything wrong with them. And that's exactly what this song is about, how can you hate on pop music when you make an awesome pop song. Music is about enjoyment, and I thoroughly enjoy this and all tracks on this list.
The frenetic world of electronic music is full of distractions and diversions, hindering the ability to find transcendent music. Let Oggie James be your guru and lead down the path to musical Enlightenment. Album, song and event reviews, mixtapes, and radio shows, light the way to Enlightenment, conveyed by Oggie James.
Showing posts with label SoySauce. Show all posts
Showing posts with label SoySauce. Show all posts
Wednesday, December 21, 2016
Tuesday, January 19, 2016
Louis The Child ft. K. Flay - It's Strange (SoySauce Remix)
Friday marked the release of the epic 20 track remix EP of Louis The Child's track with K. Flay, "It's Strange." With mixes from Boombox Cartel, CRNKN & The Knocks, among others, it was SoySauce's mix with it's creeping strings, recalling the Goosebumps theme, that stood out the most.
I first came across SoySauce late in 2014 when I heard their remix of Sir Sly's "You Haunt Me," so competently produced, it was the track I used to test out headphones when buying them that Black Friday. It's that strength of production with floating and playful plucked strings on top of bumping bass drums, complete with just the right amount of atmospheric synth work, that sets this mix apart from the others. It's subtle yet sultry, never offering too much or too little, finding the perfect balance of bass and beauty; those strings pulling at our defenseless hearts, evoking a flood of emotions. Pick up the SoySauce flip along with the other 19 remixes, with all of the proceeds going towards the charity, Kiva.
SUPPORT (K. FLAY): FACEBOOK SOUNDCLOUD TWITTER
SUPPORT (LOUIS THE CHILD): FACEBOOK SOUNDCLOUD TWITTER
SUPPORT (SOYSAUCE): FACEBOOK SOUNDCLOUD TWITTER
Labels:
Boombox Cartel,
CRNKN,
Goosebumps,
It's Strange,
K. Flay,
Kiva,
Louis The Child,
Sir Sly,
SoySauce,
The Knocks,
You Haunt Me
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